Dido and the Brontës

Pacific Island recruiting ship ‘Para’, c 1880
State Library of Queensland, negative number 65320 (credit: http://www.globaleducation.edu.au/case-studies/australian-pacific-islanders.html)

Are you wondering what’s happened to Dido Twite, the engaging young heroine of Joan Aiken’s Wolves Chronicles? Yes? Then read on. No? Still, do keep reading, because if you’re a fan of the Brontës you may find the following note of interest!

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Fantasyland

Non-specific Fantasy World Map (credit: http://freefantasymaps.org/

Diana Wynne Jones
The Tough Guide to Fantasyland
Gollancz 2004 (1996)

Dark Lord (dread lord). There is always one of these in the background of every Tour, attempting to ruin everything and take over the world. He will be so sinister that he will be seen by you only once or twice, probably near the end of the Tour. Generally he will attack you through MINIONS (forces of Terror, bound to his will), of which he will have large numbers. When you do get to see him at last, you will not be surprised to find he is black […] and shadowy and probably not wholly human. He will make you feel very cold and small. […]

In The Tough Guide to Fantasyland Diana Wynne Jones created an imaginary tourist’s guidebook to a generic world where magic is a given — in fact the kind of world conjured up for almost any example of the epic fantasy genre you can name. Think Middle Earth, Narnia, Earthsea or, less familiarly, the Old Kingdom, Prydain, Zimiamvia or Pellinor. Jones imagines them all perhaps as aspects of Fantasyland, though it’s clear that the Disney version is not really what she has in mind. As pretty much all fantasy is predicated on conflict leading to some sort of resolution the nemesis of each world is thus nearly always some incarnation of a Dark Lord. It’s hard to think of any dread adversary who doesn’t conform in some way to Jones’ description, their motivations exactly those of Milton’s Satan:

One who brings
A mind not to be changed by place or time.
The mind is its own place, and in itself
Can make a Heaven of Hell, a Hell of Heaven.

But a Dark Lord alone does not a Fantasyland make.

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A heavy responsibility well acquitted

Diana-Wynne-Jones

Diana Wynne Jones
Reflections: On the Magic of Writing
Foreword by Neil Gaiman

Greenwillow Books 2012

Where to start? Diana Wynne Jones was a very individual and distinctive voice within British fantasy writing, highly regarded and rightly so, though that recognition was perhaps long coming: for example, though I was aware of the name I only first read her work in 2004, on a strong recommendation, beginning with The Merlin Conspiracy. However, from then on I was hooked. She had a growing loyal following from the mid-seventies onwards, but perhaps the fillip to her popularity came with an audience keen for more fiction along the lines of the Harry Potter books, aided by the success of the Japanese animated film of her Howl’s Moving Castle. Sadly, within a relatively little time she discovered she had cancer, dying just two years later in 2011.

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Who is the Dark Lord?

The citadel of Derkholm?

Roland Chesney has found a way to access a parallel world, a world of real fantasy and magic. For four decades he has sent Pilgrim Parties on tourist package holidays to these lands, forcing one hapless individual after another to become the Dark Lord for the duration while the tourists attempt to defeat his forces. The question is, will this be the last year that this exploitation of an innocent population happens, the year when the worm turns?

There are Dark Lords aplenty in modern fantasy: take your pick from Sauron, Darth Vader, Voldemort or any one of a multitude of evil megalomaniacs. Yet Diana Wynne Jones’ comic fantasy The Dark Lord of Derkholm is different, and an intriguing tale, full of mysteries — some of which get solved by the end of the novel, others seemingly insoluble. =Tamar Lindsay very kindly agreed to pen this guest post attempting to answer the question, “Who is the Dark Lord?”


Calmgrove has kindly offered me space to set out some ideas I have about Dark Lord of Derkholm, which is one of my favorite books. This discussion involves major spoilers, so if you haven’t read the book already, go read it.

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London is the hero

China Miéville Kraken: an Anatomy
Pan 2010

Welcome to London
and an underground of cults,
cops, criminals, squid.

There has been precious little discussion about the significance, if any, of Kraken’s subtitle. Anatomy, which now means the science of body structure, derives from Greek roots implying cutting open and, particularly, apart (what we’d now call an autopsy). I suggest that Kraken is not just about a giant squid specimen in the Natural History Museum (or rather, for most of the book, out of the Museum) but about how it is used to cut open the underbelly of an arcane and corrupt London and expose its putrefying innards.

Ultimately this urban fantasy is about the power of words. Continue reading “London is the hero”

A worm in the bud

Conrad Gesner and Edward Topsell: Historie of Foure-Footed Beastes and Serpents (1658)

Marie Brennan: A Natural History of Dragons:
a memoir by Lady Trent
Titan Books 2014 (2013)

I’ve had my eye on this for some time and for a number of reasons, but despite the delay in my reading there’s no denying the praise and esteem it has garnered from the start. The ‘Lady Trent’ of the title must be a close fit or at least parallel of author Bryn Neuenschwander (who writes under the Marie Brennan nom de plume): her background in anthropology, archaeology and folklore overlaps that of the fictional writer of this memoir. Certainly that same passion and expertise comes through strongly in the text of this fantasy, not failing to enthuse the sympathetic reader. And dragons: what heart can’t beat a little bit faster on reading this word?

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To savour, and to save

The Human Eye (credit: http://thegraphicsfairy.com/vintage-clip-art-eye-diagram/)

Joan Aiken: A Bundle of Nerves:
stories of horror, suspense and fantasy

Cover illustration Peter Goodfellow
Peacock (Penguin) Books 1978 (1976)

Nineteen short stories are collected here, the majority originally appearing in Argosy — a British magazine which appeared between 1926 and 1974 and for which Joan Aiken was Features Editor (from 1955 to 1960). They are indeed ‘stories of horror, suspense and fantasy’, and though rather mild — if occasionally racy — by today’s tastes they were, and still are, perfect for the young teenage readership the collection aims at.

Continue reading “To savour, and to save”