Observational comedy, which relies so much on the shock of the familiar, is a brand of humour which works only if the audience relates to the material. It’s the kiss of death for a comedian if their material rings no bells for the expectant listeners sat in front of them.
Let me give you an example of observational comedy that worked for me at the time, introduced by a British stand-up comic a few years ago on one of his TV shows. This is the concept of the man drawer.
The day after midsummer’s day
Every day seems to bring new evidence of the parlous state that we and the planet are in. Microplastics in the food we eat, in the air we breathe. The sudden death of coral reefs. Glaciers melting. Species extinctions. Climate extremes. Sabre-rattling by malevolent despots. Politicians proving to be the new Neros fiddling even as Rome burns, while mobs are bribed by bread and circuses.
As the hours of daylight start to shorten (for northerners at least) have we passed the tipping point in more ways than one?
My reading this year has, in some ways, paralleled these doomsday scenarios …
I posted this nearly three years ago and apart from Theresa May becoming (and now unbecoming) Prime Minister and foolishly triggering Article 50, aided and abetted by — we now see — a duplicitous Leader of the Opposition, nothing much has changed: Britain is still in a state of omnishambles.
My faith in Parliamentary democracy has been severely dented, and I can’t see that a General Election would solve anything nor that another referendum could be offered since there is no agreed deal to vote for or against.
All I can do is bleat “Revoke, revoke, revoke” in the hopes that somebody sane will listen and make that happen.
The author Denise Mina talks about stories in an interview in The Guardian Review (Saturday 27 April 2019); asked about the inspiration for her podcasting plot line (writes Libby Brooks) she segues into Western society’s addiction to certain narrative shapes:
They are so comforting, but it fundamentally impacts the way we receive information. So the anti-vaxxers have a much cleaner story than vaxxers. Everything doesn’t fit into a story, some things are just information.
This issue — about people responding more favourably to a narrative that follows a simple plot than random bits of information that make the picture more messy — is one that you may’ve noticed I come back to again and again.
Feedback from other bloggers is the lifeblood of many an online outpouring. I know I look forward to these responses, and I try to give back my share of them to other bloggers.
But there is a certain kind of feedback that raises one’s hopes, only to dash them. Here is one example, of the type you may be familiar with:
You’re so interesting! I don’t believe I have read through a single thing like that before. So wonderful to discover somebody with some unique thoughts on this subject. Really… thank you for starting this up. This website is one thing that is required on the web, someone with a bit of originality!
It’s been a while since I’ve visited flim-flam spam flummery on this blog. As I’ve mentioned once or twice before, I occasionally check through spam comments to see if any genuine remarks have been hoovered up.
No, this is not a post about the month marking the start of spring in the northern hemisphere. Nor is it about walking determinedly from A to B. So what am I referring to?
I’m talking about a liminal space. ‘March’ in this sense is related to the Latin margo, “edge”, giving us the words “margin”, “marginal”, and so on: it can be a buffer, a No Man’s Land or Demilitarised Zone between two states; rulers of such spaces were typically termed margrave, marchese, marqués, marquis or marquess in medieval Europe.
Marches fascinate me. It helps that I live in the Welsh Marches, the lands that straddle the centuries-old fluctuating border between Wales and its bigger neighbour, England. Just like Scotland with its Borders and Ireland with The Pale the Welsh Marches have a long history of disputed control, first between the Britons and the incomers of Anglo-Saxon Mercia (“the land of the border people”) and later with powerful Norman lords asserting themselves against both the king of England and independent Welsh princes.
Here was built the mighty earthwork of Offa’s Dyke to demarcate Mercian territory from Wales; here briefly flourished the heroes who fought against English rule, historic figures like Owain Llawgoch and Owain Glyndŵr, here nestle sites traditionally associated with the legendary King Arthur.