written and illustrated by Tove Jansson (1954),
translated by Thomas Warburton (1955).
Puffin Books 1971.
‘A theatre is the most important sort of house in the world, because that’s where people are shown what they could be if they wanted, and what they’d like to be if they dared to, and what they really are.”
— Emma, in Chapter 8
It is almost midsummer in Moomin Valley when flakes of ashy soot start falling about the Moomin house. A nearby volcano is erupting, accompanied by cracks in the ground, and soon creates a tsunami, with the sea invading their home. When a strange new house comes floating by their dwelling the Moomin family — Moominmamma, Moominpapa, Moomintroll — along with the Snork Maiden, the Mymble’s daughter and her sister Little My, plus castaways Misabel and Whomper all decamp to the apparent houseboat. This will eventually float into Spruce Creek, during which time the mystified passengers will explore what they’ve embarked on.
It soon becomes evident to the reader, if not the Moomin Valley residents, that this is part of a theatre, where both stage and backstage have become separated from the rest of the building. With help from what they at first took to be a ghost they decide to put on a tragic play, but when certain individuals become separated and find themselves in various pickles, it will take a series of lucky coincidences to bring everything to a successful conclusion on Midsummer Day.
But will the Moomins ever get back to their valley?Continue reading “A Finnish microcosm”