#WitchWeek2019: When shall we all meet again?

Well, the world has survived another Witch Week. Lizzie and Chris couldn’t have done it without the help of everyone who participated:

  • Laurie of Relevant Obscurity, for her terrific post about that ice-hearted Narnian witch, Jadis, not to mention her perceptive contributions to our discussion of DWJ’s Cart & Cwidder
  • Sari of The View from Sari’s World, whose survey of Shakespearean villains dripped with bloody images
  • Jean of Jean Lee’s World, who introduced us to one of the scariest aunts in fantasy literature
  • people, too numerous to mention, who added comments and questions; Tweeted/Facebooked links to our posts; and included pingbacks, links, and reviews on their own blogs
  • our readers across the globe
  • and, finally, a nod of appreciation to Lory of Emerald City Book Review, who 5 years ago started this annual celebration of Diana Wynne Jones and fantasy fiction, yet willingly relinquished the chains so that Lizzie and Chris could have a turn — MANY THANKS, LORY!

For anyone who just can’t get enough, here are the links for the Witch Week Master Posts from earlier years.

Thanks again to all of you for sharing this event with us, and we hope you’ll join us next year, at Lizzie’s blog, when our theme will be …

* GOTHICK *

#WitchWeek2019 Day 6: Cart and Cwidder

Cart and Cwidder HarperCollins UK edition 2016

When their father, a travelling minstrel is killed, three children involved in rebellion and intrigues inherit a lute-like cwidder with more than musical powers.
— From the first edition of Cart and Cwidder, Macmillan 1975

You’ll by now be aware that Witch Week takes its title from a novel of the same name, ostensibly for children, by Diana Wynne Jones, who died in 2011. So it seemed apt to have as this year’s novel for discussion Cart & Cwidder, the first volume in a fantasy quartet set in a polity called Dalemark. In fact the very first Witch Week featured The Spellcoats, another Dalemark novel in which the principal villain is actually identified.

Three of us have had a detailed online chat about this — an edited version is offered below — but a number of you have also taken up the challenge of reading it beforehand so that you could join in today’s conversation, and you are very welcome to add your comments below. The participants in the online chat were Laurie Welch (red), Chris Lovegrove (green), and Lizzie Ross (blue). Our comments coalesced around topics such as magic, historical setting, bildungsromans, zeitgeist, and of course villains!

Continue reading “#WitchWeek2019 Day 6: Cart and Cwidder”

#WitchWeek2019 Day 4: Baked in a pie

Fig 1. Ellen Terry as Lady Macbeth, John Singer Sargent, 1889 (National Portrait Gallery)

Today’s Witch Week guest post is by Sari Nichols, who tweets as Armchair Scholar and blogs at The View from Sari’s World and at The Groundling’s Guide to Shakespeare. Her expertise suggested her as an ideal guide to Shakspearean villains.

As Kipling wrote, “The female of the species is deadlier than the male,” and that may well prove to be the case in the Bard’s work as Sari explores some especially wicked wives, dastardly daughters, and murderous mothers.


My official introduction to Shakespeare happened during a high school English class reading. Our teacher must have been a frustrated actor because he didn’t just read the play, he entertained us students with a one-man production of Macbeth!

While I found his antics highly engaging, the play didn’t resonate with me; at 17 I could not connect with a murderous medieval king. It was not until our teacher began to talk about the madness and death of Lady Macbeth that I began to see value in the play (Act V).

Lady Macbeth: Out, damned spot! out, I say!—One: two: why,
then, ’tis time to do’t.—Hell is murky!—Fie, my
lord, fie! a soldier, and afeard? What need we
fear who knows it, when none can call our power to
account?

Yet who would have thought the old man
to have had so much blood in him.

The thane of Fife had a wife: where is she now?—
What, will these hands ne’er be clean?—No more o’
that, my lord, no more o’ that: you mar all with
this starting.

The queen cannot cope with her role in the death of King Duncan and the aftermath of this vile act. She sleepwalks, looking at her hands, sometimes attempting to wash them, all the while wondering if she will ever be the same; we learn the answer a few lines later, Lady Macbeth has killed herself.

The thought of doing something so damning as to stain one’s soul petrified me. I vowed right there and then that I would never do something that I would regret to the point that I would have to ask if my hands ne’er be clean. This bargain I made with myself led me to study and appreciate Shakespeare. It would make sense, as it was one of his plays that helped shape teen Sari into young adult Sari.

Continue reading “#WitchWeek2019 Day 4: Baked in a pie”

#WitchWeek2019 Day 1: the White Witch of Narnia

Book cover illustration of Jadis with Edmund Pevensie

Laurie Welch goes on a ‘classic literature journey’ on her insightful blog Relevant Obscurity, and we’re so lucky that she here shares her thoughts on a memorable Narnian figure — one who’s cold as ice — in The Lion, the Witch, and the Wardrobe, as well as helpfully listing four classic villainous traits for us.


Jadis, The White Witch of Narnia:
The Most High Villain

The White Witch of The Chronicles of Narnia, by C. S. Lewis, is the perfect villain of childhood nightmares. Her wickedness goes to the top of evil antagonists in fairy tales and books of fantasy. She is not even human, but the daughter of Lilith, Adam’s first wife and on the other side, of giants. She is physically large and powerful, cold-blooded and incredibly beautiful. Using all this to her favor as supreme ruler of Narnia, she is also known as The Imperial Majesty Jadis, Queen of Narnia, Chatelaine of Cair Paravel, Empress of the Lone Islands, etc

Jadis is the ultimate manipulator of youthful weakness and vulnerability and delights in fear tactics, humiliation and physical punishment. She is the consummate lurer of sensitive, curious children with promises of power over others and worldly possessions. Her force is felt not only over the inhabitants of her realm, but the very environment in which they live. She is the White Witch of a hundred years of winter, “and never Christmas,” who keeps every animal, tree and fantastic beast in an iron grip of fear and submission. And would happily turn them into statues for her castle courtyard with her dreaded magic wand.

Jadis fears the prophecy that states when two Sons of Adam and two daughters of Eve find their way into Narnia and are crowned Kings and Queens, her rule will end and she will die. To prevent this her kingdom is full of spies instructed to turn them over to her immediately.

Why does Jadis have the whole of the Kingdom of Narnia in her thrall? What keeps the majority of creatures from banding together to fight against her rule? Why is it only when Aslan comes on the scene are the inhabitants of the land empowered to stop her?

Continue reading “#WitchWeek2019 Day 1: the White Witch of Narnia”

#WitchWeek2019 starts here

…Witch Week, when there is so much magic around in the world that all sorts of peculiar things happen…
Witch Week by Diana Wynne Jones

Welcome to the sixth Witch Week where, aided and abetted by Lizzie Ross, I’m hosting what Lory of Emerald City Book Review originally planned as an annual event celebrating our favourite fantasy books and authors. This year’s theme — you may already have spotted it — is

VILLAINS

Diana Wynne Jones’ Witch Week (1983) is a fantasy set between Halloween and November 5th — Bonfire Night — marking the day in 1604 when Guy Fawkes was caught preparing to blow up Parliament. We’ve used this time frame to set up eight days of magic and mayhem for Witch Week 2019, beginning today.

Our readalong this year is Diana Wynne Jones’ Cart & Cwidder. A few of us had an earlier discourse on this, but we hope that some of you will join in a general discussion later in the week.

Here then is the schedule:

Continue reading “#WitchWeek2019 starts here”

Open locks, whoever knocks

Witch Week 2019

By the pricking of my thumbs,
Something wicked this way comes.

[Knocking]

Open locks,
Whoever knocks!

—Macbeth, Act IV Scene 1

Thus speaks the Second Witch to her sisters, who have sensed the arrival of a certain ne’er-do-well. Macbeth swaggers into their cave: “How now, you secret, black, and midnight hags!
What is’t you do?” he declares. Dramatic irony, of course, for he is guilty of what he accuses them of being. (We know a few politicians who do this, don’t we?)

Running from Halloween to Bonfire Night, Witch Week 2019 is imminent. You may still have time to acquire and read Diana Wynne Jones’ fantasy Cart and Cwidder, our featured book for discussion, but if that doesn’t appeal then do sit back and enjoy the guest posts to come. Our focus is on villains, and fellow bloggers will be discussing them in

  • graphic novels
  • plays by Shakespeare
  • a Diana Wynne Jones novel
  • a series by Joan Aiken
  • and the first volume of the Chronicles of Narnia.

So, not long now to wait: this is your final reminder!

Open locks, whoever knocks.

Entrance doors, Town Hall, Leeds, West Yorkshire

Witch Week 2019 is coming

In two months it will be that traditional witching period of the year, which will mean it’s now time to remind you of the annual blogging event that is due then.

Witch Week is an annual event inspired by a 1982 novel of the same name by Diana Wynne Jones. As always it’s planned to run from Halloween to Bonfire Night, the day celebrating the failure of a plot to blow up the Houses of Parliament in 1605. (The ‘mother of all parliaments’ is going through a different kind of crisis just now.)

Inaugurated by Lory of Emerald City Book Review, the week (now in its sixth year) features guest posts and a readalong all under a broad theme; for 2019 this is VILLAINS.

Curated this year, as last year, by Lizzie Ross and myself, 2019’s posts will all appear here on Calmgrove: at present we plan that they will feature selected villains from Shakespeare and in graphic novels, in the Chronicles of Narnia, in Diana Wynne Jones’ Black Maria (also published as Aunt Maria) and in Joan Aiken’s Wolves Chronicles.

The readalong will be Cart and Cwidder, from Diana Wynne Jones’ fantasy sequence The Dalemark Quartet; you are invited to read this beforehand and join in a discussion introduced by an edited online conversation.

The wrap-up post will then announce next year’s theme, one we hope you will love getting your teeth into!

Two months sounds a long time away but that will give us time to chivvy along tardy guests (including me!) and also give you time to think around the theme as well as to source a copy of the readalong. (HarperCollins Children’s Books have published a new UK edition in the last couple or so years, for example.)

Hope you’re as excited as we are: heaven knows that villains are more acceptable in fiction than in real life…

The Imaginarium by Chris Riddell, Mr B’s Emporium of Reading Delights, Bath