Following Rocannon’s World, the second of Ursula K Le Guin’s published Hainish novels was Planet of Exile (1966), and it’s the second title up for discussion in the series of posts with the #LoveHain tag.
You may well know the drill by now: three questions follow which you’re free to answer but which you can also ignore and go freestyle with your commentary on the novel.
And when you’ve commented, and maybe linked to your own (or somebody else’s!) review or discussion, remember the third of the trio of early Hainish novels, City of Illusions, is the read for March, with a discussion post up on Friday 31st March.
Rocannon’s World (1966) by Ursula K Le Guin, in Worlds of Exile and Illusion. Orb Books, 1996.
“I ride with Olhor, who seeks to hear his enemy’s voice, who has traveled through the great dark, who has seen the World hang like a blue jewel in the darkness.” — Chapter VII
An ethnologist from the League of All Worlds is studying one of the hominid species on an unnamed planet, formally known as Fomalhaut II, when his returning team are killed by a bomb. It appears that the League’s opponents, the inhabitants of the planet Faraday, have established a secret base on this uncharted world from which to launch a preemptive strike against the League. This is the major inciting incident that propels the novel forward.
But before this scenario establishes that we are in science fiction territory a prologue (based on a short story from 1964) places us firmly in a fantasy setting with an account of an heirloom being retrieved from underground troglodytes: we are introduced to a pseudo-medieval society, living in castles, mounted on flying steeds, treating with elvish and dwarvish beings, and a heroine who visits and journeys from a subterranean kingdom, only to return home to find everyone she knew has either died or grown old.
The author’s first published novel, Rocannon’s World was also the first title set in the author’s Hainish universe; as a work we could justifiably term a science fantasy it lays out many of Le Guin’s principal concerns — balanced and sustainable living, environmentalism, psychology and anthropology, morality, human imagination, and much more — all contained within a rarely predictable narrative framework.
Ursula Kroeber Le Guin “redrew the map of modern science fiction, imagining a galactic confederation of human colonies founded by the planet Hain, an array of worlds whose divergent societies—the result of both evolution and genetic engineering—allow her to speculate on what is intrinsic in human nature.”
Incorporating ‘The Dowry of Angyar’ – a short story from 1964, here retitled as ‘Semley’s Necklace’ – Rocannon’s World (1966) was Ursula Le Guin’s first published novel and the first work to be considered in our #LoveHain readalong starting today, as 22nd January is the fifth anniversary of the author’s passing in 2018.
As I indicated in the introductory post, ‘Reading UKLG’s sf: #LoveHain’, for each of the eight published Hainish/Ekumen titles I shall pose three general questions (which you may either answer or ignore) to get discussion started in the comments; and here too is where you can link to your own discussions and/or reviews.
(Incidentally, you don’t have to sign up to join in the chat. And no need to commit to reading all the titles – dip in and out as and when it suits you!)
“People write me nice letters asking what order they ought to read my science fiction books in — the ones that are called the Hainish or Ekumen cycle or saga or something. The thing is, they aren’t a cycle or a saga. They do not form a coherent history. There are some clear connections among them, yes, but also some extremely murky ones. And some great discontinuities […]”
The late lamented writer Ursula K Le Guin died five years ago this month, on 22nd January 2018. A prolific author of novels, essays and poetry, she is deservedly best known for her Earthsea novels, but equally she has a loyal following of fans for her science fiction series, variously known as the Hainish or Ekumen series. To those allergic to the very notion of science fiction I can only say that, as with the best of this genre, the narratives – for all that they’re set in other worlds – are essentially about what it means to be human.
With this new year comes new projects, does it not? So throughout 2023 I’m planning to read (or, in a few cases, reread) the principal novels in the Hainish series in the order they were published, on a month by month basis, starting this month. If you’d like to join me you’d be very welcome – I shall be using the (hash)tags #LoveHain and #UKLGsf – and after the novels you may like to continue with the short story collections as an additional option.
As I did with #Narniathon21 I shall post three questions for readers’ consideration on the last Friday of each month (except for this month when it will be on the anniversary of Le Guin’s death, Sunday 22nd January). Please feel free to join in with any discussion in the comments, post links to your reviews or thoughts on social media. Below is my proposed schedule, plus – for completists among you! – the sequence of novels and stories as they were published and the collections they appear in.
For award-winning, internationally-acclaimed author Rosemary Sutcliff (1920-92). By Anthony Lawton: godson, cousin & literary executor. Rosemary Sutcliff wrote historical fiction, children's literature and books, films, TV & radio, including The Eagle of the Ninth, Sword at Sunset, Song for a Dark Queen, The Mark of the Horse Lord, The Silver Branch, The Lantern Bearers, Dawn Wind, Blue Remembered Hills.