Siobhan Dowd: The London Eye Mystery Introduction by Robin Stevens
Penguin 2016 (2007)
Here’s a wonderful variation on the locked-room mystery: how can a boy who is seen to enter a pod on the famous London Eye wheel somehow disappear when the pod docks again half an hour later? Salim’s cousins, Ted and Kat, are left baffled, as are his estranged parents and Ted and Kat’s parents, not to mention the police. But by coming up with hypotheses for that disappearance and evaluating them, and by some clever underhand sleuthing, Ted and Kat slowly inch towards a solution; the worry is that, as time goes on, finding Salim will come too late to save him.
On the surface this sounds like a run-of-the-mill adventure story where children prove more than the equals of the police in solving a mystery. But The London Eye Mystery is not your average juvenile crime novel: there is a grounding in reality, in the hopes and fears of family life, in the recklessness that sometimes typifies adolescence, and in aspects of the mental processes someone on the autism spectrum may go through.
Joseph Conrad: The Secret Agent. A Simple Tale
Penguin Modern Classics 1963 (1907)
“… perverse reason has its own logical processes.” — Author’s Note added 1920
Late Victorian London was a hotbed of political activity, especially in the 1880s when the Irish Republican Brotherhood instituted a bombing campaign that lasted a good five years. Few were killed but damage to several buildings — including Tube stations and, in 1884, Old Scotland Yard — ensured that terrorism was never far from the authorities’ concern.
One particular incident though had no clear motive, the apparent attempt to blow up Greenwich Observatory in 1894. The bomb went off prematurely killing Frenchman Martial Bourdin, but why he was carrying it and what the proposed target was remains a mystery. It is this incident that Joseph Conrad, a Pole who would assume British citizenship in 1886, chose to fictionalise as the central event of his 1907 novel The Secret Agent, an extraordinary narrative that’s not at all easy (despite its subtitle) to summarise in a few short sentences.
Kate Hamer: The Girl in the Red Coat
Faber & Faber 2015
An impressive debut novel, The Girl in the Red Coat thoroughly deserves its plaudits. Part magic realism, part fairytale, part contemporary fiction (at one stage the 9/11 event is playing out on television) Kate Hamer has created an unputdownable story that has had many readers finishing it in a night, though I steeled myself to stretch it out a bit longer. Its theme is a harrowing one for anyone with a child, namely the disappearance of that child without a trace. The author swaps between two viewpoints, the mother Beth Wakefield and her daughter Carmel, so we see developments through both their eyes; and, as time goes on, we too begin to wonder if there will be any optimistic resolution to Beth and Carmel’s tale.
Michael Crichton: The Andromeda Strain
Ballantine Books 1993 (1969)
Certainly the Wildfire team was under severe stress, but they were also prepared to make mistakes. They had even predicted that this would occur. What they did not anticipate was the magnitude, the staggering dimensions of their error. They did not expect that their ultimate error would be a compound of a dozen small clues that were missed, a handful of crucial facts that were dismissed.
— From Chapter 24, The Andromeda Strain
Michael Crichton’s 1969 techno-thriller is in some ways an update of H G Wells’ The War of the Worlds, but instead of invading Martians being defeated by a earth-borne microbes (or “putrefactive and disease bacteria” as Wells has it, our “microscopic allies”) here it is the extraterrestrial microscopic organisms that threaten humankind. Brought back to earth by a Project Scoop satellite, they kill human beings by almost instantly clotting their blood. A top secret team codenamed Wildfire is tasked with retrieving, analysing, assessing and counteracting this virulent invader before it spreads to the general population. Holed up in an underground lab, they have a scant few days to come up with solutions; this being a thriller, things do not go smoothly.
Put thus baldly The Andromeda Strain appears to be a fairly humdrum novel, its premise familiar from scores of dystopic novel plotlines and SFF films and TV series. But, bearing in mind the date of its release — at the height of a flurry of manned space missions (though just three years from the last Apollo mission to the moon) and on the crest of a wave of optimism in the march of science and technology in the face of Cold War tensions — its then impact isn’t hard to imagine. The nightmare scenario of an invisible killer chimed in with fears of Russian aggression — remember, the USSR and its Warsaw Pact allies had in 1968 invaded Czechoslovakia, a country at the heart of Europe. While the US became more mired in a disastrous Vietnam conflict, despite opposing a technologically poorer nation, on the other hand it had sent a mission around the moon; and computer sciences seemed to be announcing new advances on a daily basis.
Donna Leon The Jewels of Paradise
Arrow Books 2013 (2012)
Biographers are akin to stalkers: they remorselessly research the background to their victims, obsessively familiarise themselves with their subjects’ feats and foibles, and lurk around in their vicinity hoping to pick up tidbits of information to feed their fascination. So do historical researchers, and so do fiction writers — but with one major difference. When the subject is deceased, or even imaginary, they are not harmed, nor is their personal privacy invaded or their equanimity threatened.
In The Jewels of Paradise musicologist Caterina Pellegrini finds herself drawn back to her native Venice by the promise of research into the papers left by a mysterious Baroque composer who, she subsequently discovers, is one Agostino Steffani. But that’s not all that’s mysterious about her job. Who are the strange Venetian cousins, Stievani and Scapenelli, who have hired her for this hush-hush job, and what role does the equally opaque lawyer Andrea Moretti have to play in all this? And who is that man following her one evening?
John Wyndham Plan for Chaos Edited by David Ketterer and Andy Sawyer
Penguin Books 2010 (2009)
Here is a curiosity: a novel by the author of The Day of the Triffids, written around the same time (1948 to 1951) but abandoned, only to see the light of day around sixty years later when it’s finally published. It’s not difficult to see why Wyndham gave up on it — its compound of different genres, disparate themes and mangled speech patterns make for awkward reading — and yet it’s an interesting experiment which, given radical tweaking, could have been made to work.
The basic set-up is that supporters of the Nazi cause have survived into the 1970s, somewhere in South America we deduce, where they have built a secret underground complex. Here their clandestine wartime experiments for perpetuating a master race have resulted in the successful breeding of human clones; all that is required is to fool the superpowers into annihilating each other with atomic bombs — the chaos of the novel’s title — after which the new Germans will re-populate the earth. Their technicians have also developed flying saucer technology and cloaking devices, causing international consternation and confusion in a world unaware of their existence.
Patricia Highsmith The Two Faces of January Sphere 2014 (1964)
With the action mostly set in Athens, Crete and Marseille — the French port an ancient Greek colony — it’s hardly surprising that Highsmith’s crime novel has the feel of a classical legend. From the title (The Two Faces of January is a nod to the Roman two-headed god Janus whose month opened the year) to a crucial scene in Knossos (reputedly the inspiration for the Cretan labyrinth) we can’t help but be aware that this very 20th-century tragedy has its affinities, its roots even, in the ancient world; for all its modern trappings the story turns on eternal human failings like hubris, that pride that can bring down both the guilty and the innocent.
This novel is a play with just three leading characters and a small cast of bit players. Chester MacFarlane is an American conman hiding out in Europe with his young wife Colette. Rydal Keener is an intelligent young American avoiding confrontation with his critical father before feeling guilty for having not attended his funeral. Chester survives under numerous aliases but has little facility with modern foreign languages like Greek; Rydal is fluent in French, Italian and Greek and so is in a position to help Chester and Colette when a Greek detective is inadvertently killed. Why does Rydal help the couple? Is it just because Chester reminds him of his father and Colette of his first love?