A brief guide to Blastburn

Bramshill House, Hampshire, from an early photograph: how Midnight Court might have looked

I’ve just started my reread of Joan Aiken’s standalone title Midnight is a Place (1974) and thought I’d say a few introductory words about the fictional town of Blastburn which features so strongly in this novel, set as it is in both an alternate history (or uchronia) as well as an alternate world (or paracosm).

By the way, it has nothing to do with the move called Blast Burn in Pokémon, a term which postdates Joan Aiken’s first Wolves story. More likely is that she was inspired by the development of blast furnaces in the early industrial period: for example, ‘hot blast’ was a method for preheating air blown into iron furnaces, a procedure invented and patented by James Beaumont Neilson in Scotland in 1828, four years before the Chronicles actually start.

Though not officially part of the author’s Wolves Chronicles the mention of Blastburn in this novel brings to mind its appearances earlier in The Wolves of Willoughby Chase (1962) and later in Is (1992, also published as Is Underground). For the purposes of this and subsequent posts I’m going to assume that they all refer to the same place, and this has implications for Blastburn’s geography and chronology.

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Willoughby reads

Willoughby Chase, by Pat Marriott, as it appears only in the American first edition https://joanaiken.wordpress.com/2013/08/22/willoughby-chase-chosen-as-a-creepy-house-for-this-years-summer-reading-challenge/

A brief notice for all fans of Joan Aiken and the Wolves Chronicles: a number of enthusiasts will be doing a group read of The Wolves of Willoughby Chase sometime in August, and tweeting about it using the hashtag #WilloughbyReads.

The read is hosted by Benjamin Harris (@one_to_read), the tag originates with Ed Finch (@MrEFinch) and other signed-up members include Lizza Aiken (@LizzaAiken) and of course myself (@calmgrove). Do join in if you’ve a mind to and are on Twitter.

I meanwhile will be ploughing through the remainder of the Chronicles, taking a slight excursion next with Midnight is a Place (in the same world but not directly linked) before rejoining the saga proper.

All through May I shall be reading fantasy of various stripes and shades, courtesy of Wyrd & Wonder (#wyrdandwonder), and even if you’re not a fan of the genre I hope you’ll find something of interest in my several ramblings.

Finally, here’s the official reminder of my seventh year anniversary with WordPress, received today!

Seven Year Hitch

Middle Earth and Mid Wales

Detail of Pigot & Co.’s New Map of England & Wales […] &c.: Wales in 1830


As part of my anticipation of March’s Wales Readathon (or Dewithon) this post revisits and expands a little on an idea I first posited in the post Parallel lines — the possible connections between Tolkien’s Middle Earth and the alternate Wales of Joan Aiken

Joan Aiken’s fantasy The Whispering Mountain was first published in 1968, based on research she’d conducted in Brecon public library, undertaken (I’m assuming) the year before. Coincidentally 1968 was also the year that the authorised one-volume UK edition of The Lord of the Rings was issued, which I personally remember purchasing that autumn as a student (and avidly reading when I should have been studying).

LOTR of course was originally published between 1954 and 1955, and I fancy that Joan Aiken, just in her thirties, would have been familiar with the three-volume hardback edition before she embarked on the so-called prequel to the Wolves Chronicles, The Whispering Mountain. Why do I suggest this, in the absence of any written evidence that I’m aware of? Just consider the following coincidences.

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A score of stories

Rye, Landgate

Joan Aiken:
The Monkey’s Wedding, and Other Stories
Introduction by Lizza Aiken
Small Beer Press 2011

In the introduction to this posthumous collection of short stories Joan Aiken describes the three ingredients that have gone into the making of these tales: fantasy elements (“witches, dragons, castles…”), realistic elements culled from everyday life (“mending punctures, winning raffles…”) and, finally, dreams (“an old lady hunting for lost things…”). Unlike her longer novels, the tales aren’t planned but spring from a chance combination of two or more of these ingredients; in The Monkey’s Wedding you can marvel at how these elements appear and re-appear in limitless permutations, always surprising, always entertaining, and always haunting.

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Died o’ Fright

Schubert’s manuscript of a German Dance in G for piano duet, probably composed in 1818 for the children of Count Esterhazy

The final (?) post in my exploration of Joan Aiken’s Dido and Pa.

As a classically-trained musician I have been, as you might expect, intrigued by author Joan Aiken’s rhymes and allusions to tunes and other music in her fiction, particularly her short stories (one collection is called A Harp of Fishbones and a novella even has the title The Song of Mat and Ben). I’m often tempted to set the lyrics that are quoted to music of my own.

In Dido and Pa we have a plethora of song titles and compositions mentioned, all the work of Desmond Twite, Dido’s father: he first appeared in Black Hearts in Battersea as hoboy- or oboe-player Abednego, and when he wasn’t trying to teach Dido the instrument he turns out to also be a prolific composer.

Some of these tunes have been mentioned in earlier instalments of the Wolves Chronicles, others appear here for the first time. What follows is a list of those I have noted in Dido and Pa, with short discussions after.

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Dido and patterns

Over the past few weeks I’ve been exploring aspects of Joan Aiken’s alternate history fantasy Dido and Pa, focusing on chronology, places and people.

To complete most of the picture this post will look at the novel’s tropes and themes, motifs and memes (there are subtle differences between all these, I know, but I’m choosing to bundle them all up together) to see what the stand-out ideas are and how they might relate to what has gone on before in previous Wolves Chronicles.

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A wolfish vampire in Wapping

 

The illustrations above depict Claire Sennegon in 1837 and, in a self-portrait, Christen Købke in 1832, both of whom I imagine Sophie and twin brother Simon might have resembled in the mid-1830s when Dido Twite finally reconnected with them in London. Simon of course was a talented artist while Sophie was equally adept at taking proactive roles.

In this post we will start looking at the characters who feature in Joan Aiken’s alternate history Wolves Chronicle Dido and Pa, some of whom (as we will discover) belong to an informal group known as the Birthday League. They’ll be introduced according to principal places in the novel, and as there is much background information the post comes in two parts: this is . . . part one.

Note: the usual spoiler alert applies!

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