Willoughby Chase is a place

The fictional town of Blastburn features in these two novels

“The past fortnight I have been to Willoughby again,” as Daphne du Maurier did not write. With a number of other enthusiastic Joan Aiken fans on Twitter I have been discussing this author’s The Wolves of Willoughby Chase chapter by chapter. Our genial and generous host Ben Harris got us to consider literary points, to be creative with words and materials, and to ponder related matters.

The last month or so has also seen me blogging about Aiken’s Midnight is a Place, a novel set in the same or a similar universe and, as it happens, also featuring the fictional town of Blastburn. Both these distractions have proved immensely enjoyable and — as one of my parting shots — I pray your indulgence as I share a few thoughts and conclusions.

And if anyone who’s on Twitter is interested in the full range of tweets just search the hashtag #WilloughbyReads to see what the fuss is about.

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Put through the mill

Blastburn illustration: Simon Bartram 2014

We continue our explorations (note: with *spoilers*) of Joan Aiken’s Midnight is a Place (1974) by listing those people mentioned as living in Blastburn, the town in the northeast of Albion that features in this alternate history fiction, set in 1842.

Though truly no justification is needed as to why I go into such detail, here is a brief summary, a kind of apologia, of my reasons:

  1. Art for art’s sake — these details are there to be enjoyed for anyone immersing themselves in the narrative.
  2. Personal satisfaction — literary sleuthing, such as digging out influences and parallels, is a deeply pleasing activity.
  3. Education, education, education — discovering the hows and whys, the whos and whats, and the whens and wheres of the plot and characters encourages one to range widely outside the confines of a book’s narrative, revealing gaps in this reader’s (and perhaps others’?) knowledge and understanding. No bad thing, in my book.

In fact all about Exploring the world of ideas through books!

And now, on with the show.

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Not too long to readalong #WilloughbyReads

A reminder that in next to no time Ben Harris (@one_to_read) will be hosting a readalong of Joan Aiken’s The Wolves of Willoughby Chase on Twitter, using the hashtag #WilloughbyReads.

If you’ve never read it before but always wanted to, then now’s your chance to join in; and if like me you have already read it but fancy discussing it and seeing what thoughts others entertain about it, you’d be welcome too!

Ben plans that “days 1-11 will have a question about each chapter, an activity of a kind, and a question relating to JA’s writing ethos,” while “days 12-14 will be general”.

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The banshee’s exile

Edvard Munch 1895 lithograph of The Scream
Edvard Munch’s 1895 lithograph of The Scream

Joan Aiken: The Scream
Macmillan Children’s Books 2002 (2001)

Edvard Munch’s expressionist work The Scream is justly famous for its haunting quality: a figure shrieks in the foreground while in the background of the original painting a lurid red sky is reflected in the waters of a Norwegian fjord. Two figures are strolling along a walkway away from the figure, intent perhaps on the two vessels at anchor or the port which can just be discerned by the steeple of the church.

Munch’s painting has not only given its title to Joan Aiken’s children’s book but also furnished one of the many themes that run through its pages. An iconic image that has found its way onto objects as mundane as a whoopee cushion given to the author transforms into a screech that causes a fatal traffic accident, a shriek that recalls a banshee’s cry which in turn inspires a composition by obscure composer Ronald Runaldsen, and a howling storm that produces a wave fit to swamp the puny boat of any owner who foolishly ventures out.

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Joan Aiken’s Blastburn

Kingston Upon Hull as Blastburn, in Joan Aiken’s Midnight is a Place (credit here)

Another post in my series exploring the ins and outs of Joan Aiken’s paracosm Midnight is a Place (1974) set in an alternate Britain she calls Albion.

This time I’m taking a closer look at the fictional industrial town of Blastburn, making an assumption that it’s in the region of Kingston upon Hull in East Yorkshire, maybe even contiguous if not actually occupying the same equivalent space.

In fact, I’m going further by basing Blastburn on Hull’s Old Town, the core of the medieval settlement bounded by the river Hull to the east and the Humber estuary to the south.

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Courting danger

Brontë birthplace, Market Street, Thornton

In this post, one of a series about Joan Aiken’s uchronia Midnight is a Place, we shall be meeting the people associated with Midnight Court, the mansion just outside Blastburn, an industrial town in the northeast of Albion.

In this mini-prosopography there will be the inevitable *spoilers* but also much revelatory biographical and other material, for those who are fans of the author and her Wolves Chronicles.

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Blastburn themes

Norton Conyers Hall, 1899 © North Yorkshire Country Record Office

Joan Aiken’s Midnight is a Place (1974) is a curious uchronia or alternate history: though not officially part of the sequence that began with The Wolves of Willoughby Chase it shares many of the features that distinguish the Wolves Chronicles, including themes, period and places.

In 1971 Joan published The Cuckoo Tree which seemed to end a run of novels that had characters in common, namely Simon, Dido Twite and Owen Hughes. In 1974 Midnight went back to Blastburn, where ten chronicle years before (in 1832) Bonnie and Sylvia had been treated so badly at a charity school; fans of Charlotte Brontë will have recognised that the Brisket school will have shared qualities with Lowood School in Jane Eyre.

In this post I want to identify the themes that it shares with other chronicles in the sequence, plus a couple of other features that I feel merit attention. As always with these discussions there will a high risk of spoilers so do read the novel first or skip this post if that troubles you.

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