Finding the story

Snow scene in the Preseli Hills

Terry Pratchett: Wintersmith
Corgi 2017 (2006)

Find the story, Granny Weatherwax always said. She believed that the world was full of story shapes. If you let them, they controlled you. But if you studied them, if you found out about them . . . you could use them, you could change them . . .

We’ve met Tiffany Aching before, in The Wee Free Men and A Hat Full of Sky, and know that she is a young witch on the Discworld’s Chalk, the uplands where the principal occupation is shepherding. In Wintersmith she is on the cusp of her teens but has already ratcheted up an impressive CV, having defeated the Fairy Queen and overcome a crisis of identity in the form of the Hiver.

Here, however, she has a rather more challenging antagonist in the form of the embodiment (if that’s the right word for a disembodied being) of the coldest season of the year. To stop the Wintersmith’s personal interest in her and the prospect of the land permanently locked in snow and ice she has to understand the power of story.

And for us to fully appreciate Wintersmith I too believe, like Granny Weatherwax, that we have to find and study story shapes to comprehend how Pratchett uses them to control, in ever so satisfyingly a fashion, his narrative.

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Riches well told

Wizard by Chris Riddell, Waterstone’s bookshop, Cardiff

This preview post is to flag up two of the books I shall be reviewing for March Magics, the book event founded by Kristen Meston of We Be Reading to highlight the work of Diana Wynne Jones and Terry Pratchett.

In a couple of days I will be looking at the third in the Tiffany Aching series, Wintersmith. I’ve already drawn attention to this in a post, but you may possibly feel inclined to also look at my reviews of the first two books: The Wee Free Men and A Hat full of Sky.

Later in the month—on the anniversary of her death, the 26th—I shall be returning to Diana Wynne Jones’ land of Ingary by re-reviewing her most famous title, Howl’s Moving Castle. An earlier review appeared here, but a recent reread (and my usual mental meanderings) have encouraged me to think further on this: and an episode in Wales means this also counts as an entry for the Wales Readathon, Dewithon. (There were two sequels, Castle in the Air and House of Many Ways. And I’ll be posting an overview of Diana’s fiction later in the month.)

If you haven’t discovered either or both of these authors you might do worse than made a foray into their works this month (and maybe glance at my links) . . .

Winter Thing

Pieter Brueghel the Elder: Hunters in the Snow (Winter)

Another waffly post, I’m afraid, but at least it’s mercifully short.

I’ve been diverting myself with a quick dip into Terry Pratchett (in a manner of speaking) in anticipation of March Magics; this last, hosted annually by Kristen of We Be Reading, is a respectful celebration of the work of Pratchett and of Diana Wynne Jones who both died during this month in, respectively, 2015 (March 12th) and 2011 (March 26th).

Now I didn’t mean to, but I found myself picking up the third Tiffany Aching book, Wintersmith, even though I’d intended to leave it till next month. It must have been due to the promised snowful in Britain — unlike North America’s recent dreadful polar vortex and a less deadly dump in much of Britain, the white stuff forecast for my part of Wales turned out however to be a bit of a damp squib.

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Good to go

Framework

Another year starts, and we’re all encouraged to plan ahead… Well, I don’t do New Year’s resolutions. I don’t have targets. I don’t set challenges.

What I have instead are goals: something to generally aim for but no pressure other than satisfaction at reaching them or even making the initial effort.

A better metaphor might be a framework: something that provides shape but the cladding for which is more random and the amount of cover more arbitrary. Imagine a big wide open goalmouth, the posts set wide apart and the crosspiece high, the netting a patchwork of different materials and loosely spread over. It’s pleasing to get the ball in the net but, heaven forfend, I’ve never had dreams of being a Premiership player…

So, Reading Goals. (No, not Reading Gaol, that was Oscar Wilde.)

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“A strong female lead”

The featured challenge for March 2018 in the window of Book·ish, Crickhowell

Not long after the vernal equinox in the northern hemisphere, three quarters of the way into March — a month in fact featuring two patron saints of Celtic countries — and I’ve missed marking this period in any special way. But anyway, what’s a date but an arbitrary point in the calendar? Measure time in any way other than by the solar year and all our anniversaries, birthdays and feast days count for little.

Still I feel a little bit put out because I failed to celebrate one of my favourite authors. Maybe it’s because I’ve read almost all her books. Maybe it’s because I’ve been too busy celebrating the bicentenary of another author — Mary Shelley, ‘onlie begetter’ of Frankenstein — or was still stupefied after a revisit of Ursula Le Guin’s Earthsea that I forgot to check in on Kristen’s We Be Reading blog where she hosts March Magics, a celebration of the worlds and works of Terry Pratchett and … Diana Wynne Jones.

Better late than never.

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A witch’s trial

The Uffington White Horse (as it appeared in 1892)

Terry Pratchett: A Hat Full of Sky
Corgi 2012 (2004)

We’re all familiar with Alice going through the looking-glass into a topsy-turvy world, a world where she is able to look at things in a different way. Unexpectedly, Alice makes no attempt to find her own reflection: “The very first thing she did was to look whether there was a fire in the fireplace, and she was quite pleased to find that there was a real one.” For a child who could make the observation “Curiouser and curiouser!” she is singularly incurious about her own reflection; perhaps she is not as prone to self-reflection as we have thought.

This is not the case however with the heroine of this Terry Pratchett novel when she finds that she has no mirror in which to check her appearance, for when she devises a way to observe herself without one she finds she has to indulge in self-reflection of a different kind. A Hat Full of Sky is the second of the Tiffany Aching novels, set on Discworld. We not only get to meet the Nac Mac Feegles, Granny Weatherwax and lesser witch Miss Tick all over again but also to encounter new characters, especially Miss Level and her neighbours. But really the focus is Tiffany herself, how she is growing into her powers and how she’s becoming more mature (although, to be sure, she has already shown herself to the equal of many adults in maturity).

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Chalking it up to experience

Detail from Richard Dadd’s The Fairy Feller’s Master-Stroke (1855–64) in Tate Britain

Terry Pratchett: The Wee Free Men
Illustrated by Paul Kidby
Corgi 2012 (2003)

‘The thing about witchcraft,’ said Mistress Weatherwax, ‘is that it’s not like school at all. First you get the test, and then afterwards you spend years findin’ out how you passed it. It’s a bit like life in that respect.’

Terry Pratchett listed his recreation on Who’s Who as “Letting the mind wander” — which is as good a description of young witch Tiffany Aching’s hobby in The Wee Free Men as any. Better, in fact, since Tiffany’s thoughts and experiences are loosely based on Pratchett’s own early memories of growing up. Tiffany’s story is set on the Chalk, an allusion to Pratchett’s adopted county of Wiltshire — where he finally settled, near Salisbury and not far from Stonehenge. You won’t be surprised to know that trilithons like those of the monument feature in The Wee Free Men, nor that wandering shepherds and their sheep, once a common sight on the Wilshire downs, are also a prominent motif in the novel.

Stonehenge and shepherd’s flock, from an old print

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