A few special years

A selection of classics

1872, 1922, 1954. Three years. What do they have in common? They all feature in this post, for a start!

1872. A century and a half ago George Eliot’s Middlemarch was first published in book form, after being serialised by Blackwood magazine. I began this a year or so ago but got distracted, so I’m determined to get back to it this special year. How can I not read this, a classic that’s so highly regarded, not least by Virginia Woolf?

1922. A hundred years ago two particular writers were born whose work I want to explore this year. One was Kurt Vonnegut whose birthday in November I want to mark with a read of one or other of his titles; the other is Sam Youd — who’s better known as SF author John Christopher but also wrote under other names in other genres — and his centenary occurs this month.

1954. A week this month is being set aside to read a book or two from a more recent year, as part of a reading event called — not unnaturally — the 1954 Club. And the whole month is set aside for Reading the Theatre, so as it happens I have possible titles to pick for both of these events.

But have I bitten off more than I can chew? Interestingly, in March I managed to complete books for Reading Wales, Reading Ireland, March Magics, and Narniathon, so there may be hope!

Continue reading “A few special years”

Ensnarèd chastity

Ludlow Castle © C A Lovegrove

Comus (1634) by John Milton,
edited by A W Verity.
Cambridge University Press 1927 (1909)

Come, Lady, while Heaven lends us grace,
Let us fly this cursed place,
Lest the sorcerer us entice
With some other new device.

With these words we’re taken to the nub of John Milton’s masque, which is that a wicked magician has entrapped a maiden, and that rescue may be at hand if nothing further awful happens. This is the stuff of fairytales, and we may expect a happy-ever-after ending, but this isn’t necessarily a given: after all it’s from the Stuart period, when nearly every bit of art had a political dimension, as it had been in the Tudor era.

And we may consider the audience of this intended narrative, the Earl of Bridgewater, lately ensconced in a castle on the Welsh borders where he might oversee a people possibly still uppity about being absorbed into English culture through new laws and a new official language. How would Milton bestride the fence between his Puritan leanings and the royalist sponsor it was written for?

This critical edition of the text has a certain historical value, it being more than a century old, but it still has much to say of worth, I think. Still, the play’s the thing, as another playwright wrote; and whomsoever’s conscience is caught Comus retains a certain curiosity for its poetry and for its concession to the masque genre with, admittedly, a rather sober frivolity.

Continue reading “Ensnarèd chastity”

Characters with theatrical jobs

Image WordPress Free Photo Library

As you know I tend not to do weekly or other regular bookish memes, but here’s a spin on one I couldn’t resist, especially as it related to Lory’s prompt Reading the Theatre. It’s posed by Helen of She Reads Novels and this is how she introduced her recent post:

“This week’s topic for Top Ten Tuesday (hosted by Jana at That Artsy Reader Girl) is “Characters Whose Job I Wish I Had”. As Jana says we can put our own unique spin on each topic and as I wanted to join in with Lory’s Reading the Theatre month, I have chosen ten characters who have jobs connected with acting and the theatre. These are not all jobs I would like to have myself, but some of them sound fun!”

So, without much further ado here’s my take on Helen’s take; quotes (with links) are from my reviews.

Continue reading “Characters with theatrical jobs”