The Tragedy of Arthur, a novel
by Arthur Phillips.
Gerald Duckworth & Company, 2011.
“Imperfect is the glass of other’s eyes
— Act II Scene vii
Wherein we seek in hope of handsome glimpse
Yet find dim shapes, reversed and versed again,
Which will not ease our self-love’s appetites.”
Fiction is a lie that readers are willingly complicit in, for even when we know it’s all sham we allow ourselves to be hoodwinked. At least, until we reach the final page. Verisimilitude, truthlikeness notwithstanding, our capacity to suspend disbelief, to temper scepticism with a degree of rosy-spectacled optimism gives fictional realism a chance to temporarily worm its way into our belief system.
And so it is with Arthur Phillips’s The Tragedy of Arthur. Here are lies masquerading as truth, with a purported historical document and a memoir dressed up as nonfiction, daring us to naysay it. Try as I might I couldn’t help but hop from a desire to accept what was on the page to an amused stance in which I knew it was all an elaborate con.
And Arthur Phillips – or rather “Arthur Phillips” – aided in that fence-hopping by himself continually oscillating from doubter to believer, and back again. Is the five-act quarto drama which completed this account a unique historic document or an ingenious fake?
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