Nicholas Tucker Darkness Visible: Inside the World of Philip Pullman
Wizard Books 2003
Fans of Philip Pullman’s His Dark Materials trilogy will have been cheered by the announcement of the publication of the (as they say) long-awaiting follow-up entitled The Book of Dust. Like HDM this will appear in three volumes, and the first — titled La Belle Sauvage — will be published in October this year by Penguin Random House Children’s and David Fickling Books in the UK, and Random House Children’s Books in the US, according to the author’s own website.
Eager to revisit HDM in some shape or form, especially as the series has been around a score of years since I first read the three books (rather less for the two slim spin-offs that appeared subsequently) I looked at Nicholas Tucker’s brief study as a kind of refresher course and to see if it duplicated or complimented Laurie Frost’s encyclopaedic Philip Pullman’s His Dark Materials: The Definitive Guidefirst published by Scholastic in 2006.
Here is a trio of mini-reviews of collections of short stories, novels and a novella. The idea is to whet your appetite for fuller reviews which I am planning over the months ahead of individual books in the two quartets focused on Earthsea and on Sally Lockheart, as well as the novella in Unexpected Magic.
Philip Pullman Count Karlstein
Doubleday 2002 (1982)
Exactly four decades ago this year as a student teacher I took part in a college production of Weber’s Der Freischütz, when I sang in the chorus and took a minor role as Prince Ottokar. First performed in 1821 this was a landmark opera sung in German, adapting native folksongs — the famous ‘Huntsmen’s Song’ has affinities with the traditional English tune ‘Strawberry Fair’, which may even have been influenced by Weber’s tune — and featuring supernatural Gothic horror.
The Gothic horror tradition was also purloined by Mary Shelley when she first composed Frankenstein when holidaying near Geneva in 1816, though the novel wasn’t published until 1818. One of the crucial scenes takes place on a glacier near Mont Blanc; coincidentally, we were holidaying one summer in Chamonix when our son was reading Frankenstein as a set text for school, within sight of the very same Mer de Glace glacier where Viktor Frankenstein is confronted by his monster.
Laurie Frost Philip Pullman’s His Dark Materials: The Definitive Guide
Scholastic 2007 (2006)
Pullman’s wonderful trio of novels inspired by Milton’s Paradise Lost appeared around the same time as the Harry Potter books, but Pottermanes looking for more of the same were in the main disappointed. The feisty heroine Lyra, her universe of externalised souls called daemons, armoured polar bears and a mysterious phenomenon called Dust, not to mention criticism of an organised religious institution, confused and even angered many. Sadly, the controversies often disguised Pullman’s accomplishments in world-building, complex plotting and character creation, all of which have contributed towards a work already acclaimed as a classic and which, true to its universal appeal, appeared in both adult and young adult editions. All that was needed was an Ariadne to take the reader through the labyrinthine ways of the multi-layered fantasy, as Martin Gardner did in The Annotated Alice.
Containing all you ever wanted to know about His Dark Materials, catalogued in encyclopaedic detail by superfan Laurie Frost, this hefty guide is teeming with maps, photos and drawings which enliven the text. Continue reading “Guide to Lyra’s worlds”→
Philip Pullman The Broken Bridge
Macmillan Children’s Books 1998 (1990)
Ginny Howard’s mother was from Haiti, and it’s from her that Ginny apparently inherits her artistic talents. She now lives with her widowed father in a Welsh village near the sea, and for a fifteen-year-old of mixed descent that isn’t easy. Come the summer holidays and some of the mysteries concerning her mother and family start to emerge, upsetting the sensitive but determined teenager at that crucial period when she is making the difficult transition from childhood to adulthood.
“Coming-of-age”, “teenage-angst”, “identity-crisis” – yes, these are all appropriate labels to pin on this novel, but they only convey part of what Pullman is about. Continue reading “Making the transition”→