I have a confession: I’m not a fan of Arthurian fiction.
There, I’ve said it. Why so? It comes from a half century of involvement in Arthurian matters, from archaeological research to editing a society journal, during which I came into forced contact with innumerable theories about ‘rex quondam’ in fiction, in non-fiction and creative non-fiction. Some were plausible, most were speculative, and whole libraries of them were, frankly, preposterous. So in a way I’m the last person to be enthusiastic about this particular literary genre.
And yet, there are aspects I delight in. In amongst the many servings of clichéd tropes (many even falling far short of Steinbeck’s 1976 Malory-inspired The Acts of King Arthur and His Noble Knights) there are gems that catch the eye. Three overlapping areas I’ve noticed concern the King himself, Merlin and the Grail, so I shall divide this discussion into these three sections. Also, along the spectrum shading from history to legend is another axis taking us from an imagined past to a future via a notional ‘present’. To keep things a little focused I shall confine myself to the 20th century; needless to say this is neither a comprehensive survey nor an impersonal one.