The Beginning of the World in the Middle of the Night
Two Roads 2018 (2017)
A dozen short stories do not a novel make — this last was what the author’s agent was originally expecting, but at least she didn’t shout when informed otherwise. Yet for all that these are diverse pieces – some, one suspects, semi-autobiographical, others sweet, yet more being fractured fairytales or freeform musings – they share themes and points of view which, in a weird way, could connect them into one long rambling narrative.
In fact the epigraph quotes Frankenstein’s Creature declaring, in the hopes of his creator furnishing him with a mate, that “It is true, we shall be monsters, cut off from all the world; but on that account we shall be more attached to one another.” This suggests that there are indeed connections between these tales, however curious and eccentric they may appear if we are expecting conventional narratives; but it also hints at a personal apologia. A self-declared queer writer with physical deformities, Jen Campbell brings a distinct perspective into her writing while managing to render her stories universal, a task that she somehow manages effortlessly. Or so it appears.
I shall avoid listing and discussing all twelve tales as being an arid exercise; instead I want to draw out from a select few the aspects that appealed to me most in the expectation that you may find my remarks useful.