Another post looking at the landscape of Joan Aiken’s Midwinter Nightingale (2003) — a previous piece looked at places in the fictional Wetlands, the equivalent of the real life Somerset Levels, famed in legend — and now I want not only to wrap up places I omitted before but also to allude to the climactic and moving scenes in the fantasy.
As usual Joan takes aspects of history, legend and literature and shuffles them together before laying out her cards, so I hope to identify, somewhat tentatively, what she’s displayed for our edification and amusement.
Of course, the usual strictures about spoilers apply hereon in — but you knew that.
Anne Wilson: The Magical Quest. The Use of Magic in Arthurian Romance
Manchester University Press 1988
This book, though seeming of the mystical camp popular in the 70s and 80s, is rather more academic though nonetheless exciting for all that. It asks the question ‘Why are there so many apparent contradictions in medieval Arthurian romances?’
The answer is that the authors use traditional plots. And the rationale of these plots, like the closely-related fairytales, is that of a different order to that of so-called realistic novels. What, then is this rationale?
Bernard O’Donoghue transl Sir Gawain and the Green Knight
Simon Armitage transl Sir Gawain and the Green Knight
Faber and Faber 2007
Sir Gawain and the Green Knight is one of the most magical of Arthurian tales: a jolly green giant who intrudes into King Arthur’s Christmas court at Camelot invites Gawain to chop off his head on condition that Gawain allows the return blow one year hence; the year up, Gawain then travels through Wales to northwest England to face his doom. Has he bitten off more than he can chew or will he acquit himself well and bring honour to king and court? Continue reading “Gawain and the jolly green giant”→
This king [Arthur] lodged at Camylot over Krystmasse with many a fair lord, the best of men, those noble brothers in arms all worthily of the Round Table, fittingly with fine revelry and care-free pleasures. On very many occasions they tourneyed there; these noble knights jousted very gallantly, and afterwards rode to court to dance and sing carols. For the feast was the same there for the whole fifteen days, with all the meat and mirth that men could devise.
Such raucous fun and merriment to hear, noise by day and dancing by night, all was utmost joyousness in halls and chambers with lords and ladies as best delighted them. With all the joy in the world they abode there together, the most famed knights save Christ himself and the loveliest ladies that ever lived, and the comeliest king reigning, for all these fair folk in the hall were in the prime of their life.
The most fortunate under heaven, the king the greatest in temperament — it would now be hard to describe so sturdy a host on that hill.
• Literal translation of an extract from the 14C poem Sir Gawain and the Green Knight, the unique manuscript of which is in the British Library.
Christmastide — which runs from Christmas Day to Epiphany (January 5th) — represents the original Twelve Days of Christmas; this traditionally marked the seasonal turnaround after the dark days of midwinter. To the medieval mind a legendary Arthurian court would naturally have celebrated it too.
Also known as Yuletide, this was a time when, in historic times, carollers would go round wassailing, wishing neighbours and drinking their health from a wassail bowl. However, unlike with this Arthurian Christmas, there wouldn’t usually be an offer from a Green Knight to chop his head off, so long as he could do the same to you a year and a day later …
In the words of the Gloucestershire Wassail I wish you, my fellow bloggers, the very best for this holiday season, with a promise to resurface sometime between Christmas and the New Year:
Love and joy come to you, And to you your wassail too; And God bless you and send you a Happy New Year And God send you a Happy New Year.
Norris J Lacy and Joan Tasker Grimbert (editors) A Companion to Chrétien de Troyes
D S Brewer 2008
We have a lot to be thankful to Chrétien de Troyes for: without him there would be no Lancelot, no Camelot, no Holy Grail; he virtually kickstarted the romance tradition through his use of a vernacular language, French; and of the six surviving texts ascribed to him five have — to a greater or lesser extent — an Arthurian background. So, one of the great literary what-ifs must hinge on whether Arthurian literature, both medieval and modern, would have been what it is now if not for Chrétien. Continue reading “Imagine no Lancelot, no Camelot, no Holy Grail”→
Brian John The Bluestone Enigma:
Stonehenge, Preseli and the Ice Age
Greencroft Books 2008
Ancient man didn’t
transport stones hundreds of miles.
And nor did Merlin.
Brian John, who lives in Pembrokeshire (where much of this study is set), has had a long interest in this whole subject area. A Geography graduate of Jesus College, Oxford, he went on to obtain a D Phil there for a study of the Ice Age in Wales. Among other occupations he was a field scientist in Antarctica and a Geography Lecturer in Durham University, and is currently a publisher and the author of a number of articles, university texts, walking guides, coffee table glossies, tourist guides, titles on local folklore and traditions, plus books from popular science to local jokes. His credentials are self-evident when it comes to discussing Stonehenge.
One of the strongest modern myths about Stonehenge to have taken root is that the less monumental but no less impressive so-called bluestones were physically brought by prehistoric peoples from the Preseli Hills in south-west Wales to Wiltshire. The second strongest modern myth is that the whole saga was somehow remembered over a hundred or more generations to be documented by Geoffrey of Monmouth in the 12th century as a feat of Merlin. In this self-published title Dr John examines these and other myths and finds them wanting in terms of echoing reality. Continue reading “Stonehenge’s mythic history”→
Neil Fairbairn A Traveller’s Guide to the Kingdoms of Arthur
Evans Brothers Ltd 1983
Geoffrey Ashe The Traveller’s Guide to Arthurian Britain
Gothic Image 1997
Neil Fairbairn’s 1983 Traveller’s Guide inevitably invited comparisons with Geoffrey Ashe’s A Guidebook to Arthurian Britain (1980 and 1983, confusingly reissued as The Traveller’s Guide to Arthurian Britain in 1997). This would be unfortunate as the two are different animals, each with its own particular strengths and weaknesses, though both include illustrations and maps.
Derek Brewer and Ernest Frankl Arthur’s Britain: the Land and the Legend
Guild Publishing 1986 (1985)
This illustrated gazetteer has an authoritative introductory essay by the late Derek Brewer, a distinguished academic and publisher who died in 2008. The illustrations which accompany the introduction all come from late medieval manuscripts in the Bodleian Library at Oxford, and show how their techniques and purposes changed from the fourteenth to the fifteenth centuries. The photographs in the gazetteer proper are by Ernest Frankl, with accompanying maps drawn by Carmen Frankl; I’m guessing that both Ernest and Carmen have since passed away as Trinity Hall Cambridge has an Ernest and Carmen Frankl Memorial Fund to cover travel for educational purposes.
In that this is a tale of a modern quest for a medieval book that purports to be about the Quest for the Holy Grail, Codex is undoubtedly an Arthurian novel. We are treated to circumstantial details about a medieval codex, A Viage to the Contree of the Cimmerians by Gervase of Langford, and much about encoded messages, bookbinding and medieval manuscripts. This reveals the author’s intention to impress us with the depth of his research, and I have to say that some of the detail is fascinating, and as an Arthurian I thought the conceit of a hitherto unknown manuscript about the Matter of Britain promising.
Less promising are the details of a virtual reality game that the hero simultaneously gets drawn into, which are meant to impress us with the breadth of Grossman’s online experience; the novel is set in the middle of the noughties and so it becomes less hard as time goes on to say how that this may not stand up as a plot device while real-life technology overtakes his scenario. Continue reading “An illusory Questing Beast”→
Anne Berthelot King Arthur: Chivalry and Legend Arthur et la Table ronde: La force d’une legende translated by Ruth Sharman
Thames and Hudson 1997 (1996)
First published by Gallimard in 1996, this English version is part of Thames and Hudson’s New Horizons series and follows a similar format: a well-illustrated chronological survey of the chosen subject, followed by extracts from select documents, bibliography, credits and index. The author was Professor of Medieval French Literature — and now of French & Medieval Studies — at the University of Connecticut (does that make her a Connecticut Frank at the court of King Arthur, perhaps?) and so her discussion of developments in Arthurian literature, from Wace and Layamon up to 20th-century cinema, is authoritative and thought-provoking. For instance, she clearly charts how the Matter of Britain moved from chronicle format to poetry(eg Geoffrey of Monmouth and Wace’s Brut) and then back to chronicle style, and how this reflected shifts in taste from pseudohistory to the flowering of chivalry and courtly love and then returning to the burgeoning nationalistic stance in England, as evidenced by Malory.
Howard Reid Arthur, The Dragon King: the Barbaric Roots Of Britain’s Greatest Legend Headline 2001
Howard Reid apparently has all the right academic credentials – an unpublished PhD thesis in anthropology based on research among hunter-gatherers in Brazil – and, as well as practical experience from living with Tuaregs in North Africa, he has made documentaries about ancient civilisations for the BBC, Channel 4 and the Public Broadcasting Service in the USA. So you would expect him not only to declaim knowledgeably with his Indiana Jones hat on but also to discuss with scholarly rigour wearing his mortar board.
My expectations for a historical-fiction Arthur-type character are rather specific. I don’t rate at all highly any back-projections of Malory, Tennyson or even Geoffrey of Monmouth into a sub-Roman context, with medieval concepts of round tables, grails and swords embedded in stones appearing anachronistically in Late Antiquity. And so my heart sank when I began reading a scenario involving a Lady in a Lake in this young adult fiction book.
But, dedicated Arthurian that I am, I persisted, and am very glad to have done so. For the essence of every good story-teller (and Philip Reeve is one of these) includes the gift of using such motifs sensitively. What we have presented here is a tale within a tale, where Reeve weaves a story of how Myrddin embroiders narratives around the exploits of a minor warlord, so that we almost believe that this was the way the Arthurian legends could have come about: with pagan mythology and imagination hijacked by a bard to boost the reputation of a barbarian chieftain.
N J Higham King Arthur: myth-making and historyRoutledge 2002
King Arthur. How this short phrase stimulates a knee-jerk reaction: from amateur historians who want to convince the public that their vision of the fabled monarch is true, and from hard-bitten historians who deny not only his existence but irascibly inveigh in print against what they regard as the lunatic fringe. Now this is not one of those academic books that castigates and berates that fringe while simultaneously feeding from the hand it bites, but it nevertheless very definitely takes a minimalist view of the existence of Arthur, king or otherwise. Nick Higham is well-placed to authoritatively examine the historical contexts in which the Arthurian legend grew, and does so in very great detail; a short review can only highlight one or two of the original contributions this study makes to the literature.
Julian Munby, Richard Barber, Richard Brown Edward III’s Round Table at Windsor:
the House of the Round Table and
the Windsor Festival of 1344
Boydell Press 2007
Historical re-enactments have always been popular, especially in the late 20th century, from the Society for Creative Anachronism in America, through English Civil War society The Sealed Knot and Dark Age re-enactment group Britannia in more recent years, to the 500th anniversary of the last great tournament in Wales (which was celebrated at Carew Castle in West Wales in May 2007). Sir Rhys ap Thomas, a supporter of Henry Tudor before he became king, marked his admission to the Order of the Garter with what became known as the Great Carew Tournament of 1507, and appropriately enough his family’s poet, Rhys Nanmor, compared Carew Castle to King Arthur’s palace.
For award-winning, internationally-acclaimed author Rosemary Sutcliff (1920-92). By Anthony Lawton: godson, cousin & literary executor. Rosemary Sutcliff wrote historical fiction, children's literature and books, films, TV & radio, including The Eagle of the Ninth, Sword at Sunset, Song for a Dark Queen, The Mark of the Horse Lord, The Silver Branch, The Lantern Bearers, Dawn Wind, Blue Remembered Hills.