In my reread of The Lord of the Rings I’ve paused at the Ford of Bruinen, the ending of Book I in The Fellowship of the Ring, so I can take stock of the way I’ve come. In so doing I note that the cover of my one-volume edition features a design by John Howe of Gandalf the Grey in full flow; however my first single volume copy had a design by Pauline Baynes front and back, adapted from her earlier slipcase design for the three volumes of Tolkien’s epic, with Gandalf and the hobbits gazing out over a Middle-earth landscape as one’s first view.
What sticks out for me from both Pauline Baynes designs is the strong use of colour — the yellow-gold of the trees framing the inset images, the bold red of the title and author’s name, the greens of the Shire-like landscape on the front cover, the blue tinge of Mordor’s spiky landscape on the reverse.
Memories of those colours, along with Tolkien’s own illustrations for the third edition in 1966 of The Hobbit, drew me back to an essay I remembered reading in Mythlore, a journal focused on Tolkien, Lewis, and Charles Williams, as well as on general fantasy and mythic studies. Did I still have it? I rummaged amongst miscellaneous papers and magazines I’d brought with me over at least three house moves, and there it was, Mythlore 26, Winter 1981, Volume 7, No 4. I dived straight in.Continue reading “A world of pure hue”