Troublesome games

Jain version of Snakes & Ladders called Jnana bazi or Gyan bazi, India, 19th century, gouache on cloth (image: public domain)

Games, thought Dido, they sure cause a lot of trouble.
Limbo Lodge, chapter 8

Joan Aiken’s 1999 novel Limbo Lodge was entitled Dangerous Games in the 1998 US edition, and this gives us one clue for a singular way to approach this instalment in the Wolves Chronicles. In the novel Lord Herodsfoot is James III’s roving ambassador on the hunt for new and entertaining games, but as well as the games that get mentions in these pages there is the game that is life-or-death, the winning of which Dido Twite and her companions must clinch. It could be argued that Joan Aiken fashions Limbo Lodge as a board game metaphor, with Aratu as the board and individuals as pieces. Is it possible to justify this?

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Forest peoples

Map of the Moluccas by N Sanson (1683)

There’s too much blame mysterious about this island.
— Dido’s observation in chapter 6

This is another post in the series giving the background to one of Joan Aiken’s Wolves Chronicles, Limbo Lodge. This instalment focuses on the islanders of Aratu, the island that Dido finds so full of mysteries. I can’t help being reminded of some of the issues that are raised in novels like Ursula Le Guin’s The Word for World is Forest and Alison Croggon’s The River and the Book, issues about land exploitation and deforestation and the effects they have on local populations and ways of life. In Limbo Lodge we sense there may be some rapprochement between communities towards the end, a rapprochement that sadly doesn’t seem to be common in our own world.

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Who’s who on Aratu

The Return to Hong Kong. The Vulture Passing the Battery Upon Tygris Island.  A steam-powered frigate similar to the ThrushHMS Vulture is here seen passing Weiyuan Battery, Anunghoy Island near Canton (Guangzhou) April 1847 (image: Royal Museum Greenwich)

In Joan Aiken’s Limbo Lodge we meet with a number of individuals who haven’t appeared elsewhere in the Wolves Chronicles. Joan (see, we’re all on first-name terms!) is adept at making these individuals distinctive so that we don’t get too confused as to who’s who on the island of Aratu. Linking it all together is of course Dido Twite, whom we first encountered as an 9-year-old London urchin in Black Hearts in Battersea but who now dresses as a young sailor lad after more than two years at sea.

Here follows a prosopography of the main named characters in the novel, a sort of index raisonné in which I try to account for Joan’s choices for her dramatis personae. Remember, look away now if you don’t want massive plot spoilers revealed!

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Dido and the Spice Islands

A display of Vintage children’s books on offer in Book-ish bookshop, Crickhowell

We last left Dido Twite in South America, about to finally sail back home to England. But Dido is finding out that things don’t always go to plan when she sets off on her voyages. She had been shipwrecked in the North Sea, transported whilst in a coma via Cape Horn to north of Alaska, thence to New England. With the promise of a return to England her passage was diverted to the east coast of South America. And now, surely, she must be deserving of that homecoming? No, for now she finds herself heading to the Spice Islands in the South Pacific!

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Dido and the Brontës

Pacific Island recruiting ship ‘Para’, c 1880
State Library of Queensland, negative number 65320 (credit: http://www.globaleducation.edu.au/case-studies/australian-pacific-islanders.html)

Are you wondering what’s happened to Dido Twite, the engaging young heroine of Joan Aiken’s Wolves Chronicles? Yes? Then read on. No? Still, do keep reading, because if you’re a fan of the Brontës you may find the following note of interest!

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Children of Silence

The Children of Silence: map diagrammatic, not to scale

I apologise for the length of this post: do please skip it if you want, I won’t be offended! And I apologise for neglecting recent posts from blogs I follow, I’ve got a bit behind because of ‘stuff’ cropping up — nothing bad, I hasten to add.


In a series of posts I’ve been exploring the country of New Cumbria and its capital of Bath Regis. You won’t find these on conventional maps because they appear in one of the Wolves Chronicles, Joan Aiken’s series of alternate history novels set in a 19th century where Britain is stilled ruled by the Stuarts. The Stolen Lake places the young heroine Dido in an alternative South America, part of which is ruled by a mysterious Queen Ginevra. I’ve previously looked at the main personages (the ‘who’) and the timeline of the narrative (the ‘when’), and following three posts on New Cumbria’s geography (the ‘where’) I’d like now to examine some of the themes that permeate the novel (the ‘what’) — but that also requires us to consider a bit more of the geography of this Andean landscape.

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Why alternate worlds?

World map from the Ulm edition of Ptolemy's Geographia 1482 (public domain image)
World map from the Ulm edition of Ptolemy’s Geographia 1482 (public domain image)

Why do we want to have alternate worlds? It’s a way of making progress. You have to imagine something before you do it. Therefore, if you write about something, hopefully you write about something that’s better or more interesting than circumstances as they now are, and that way you hope to make a step towards it.
— Interview with Joan Aiken, Locus Magazine (May 1998)

Inverted Commas 2: The modern world viewed alternatively

In May 1998 Joan Aiken was interviewed for Locus Magazine, which now bills itself as The Magazine and Website of the Science Fiction & Fantasy Field. An excerpt from that interview is available online, entitled ‘Joan Aiken: Wolves and Alternate Worlds’. Soon to be published at the time of the interview was another episode in her Wolves Chronicles, Limbo Lodge (1999), titled Dangerous Games in the US.

I quote this passage because, in times of great ferment, many people feel powerless in the face of forces larger than themselves. Certain powerful individuals do seem to have a vision of where the world is going (even if it’s only back to a past viewed through distorting spectacles) but many others, who don’t share this vision, sense themselves in a living nightmare, rushed towards some malign future where nothing is certain — except that nothing will be certain.

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