The Witch of Clatteringshaws is a last crazy jig of a book, a plum pudding of Aiken history and humour, whose wise men include a Fool, of course, and a talking parrot who everyone ignores throughout at their cost.
There are prehistoric monsters alongside Celtic saints, invading armies who become the backbone of an emerging nation, Kings who win their battles with games where no one dies, and the long suffering Dido Twite, ever indefatigable in defence of her fellow orphans, and now in the person of Malise another, unassuming heroine who wishes she had the words to save the world.Lizza Aiken, ‘Joan Aiken’s Farewell’ on JoanAiken.wordpress.com
My own review of the last ever title in Joan Aiken’s Wolves Chronicles, The Witch of Clatteringshaws, is now followed by the customary series of discussion posts, on people and places, timelines and themes.
Today, the day after the midwinter solstice, I will start a dramatis personae of the characters who appear and as usual it will be a prosopography, a study of an individual’s role, personality, and relationships; and — this title being of course a fiction — it will include speculation about their names and/or origins.
I start with the title character, the Witch herself, who appears virtually at the start in the Prologue when we read of her writing a letter to her cousin, the Archbishop of Canterbury, from a Ladies Convenience overlooking a Scottish loch. (Immediately you will have spotted that this is no ordinary alternative historical fiction, but uses seemingly anachronistic effects to confound expectations.) I’ll also be looking at a couple of the other protagonists in this post.
As ever there’s a big red warning triangle for SPOILERS.Continue reading “At one’s convenience”