Open locks, whoever knocks

Witch Week 2019

By the pricking of my thumbs,
Something wicked this way comes.

[Knocking]

Open locks,
Whoever knocks!

—Macbeth, Act IV Scene 1

Thus speaks the Second Witch to her sisters, who have sensed the arrival of a certain ne’er-do-well. Macbeth swaggers into their cave: “How now, you secret, black, and midnight hags!
What is’t you do?” he declares. Dramatic irony, of course, for he is guilty of what he accuses them of being. (We know a few politicians who do this, don’t we?)

Running from Halloween to Bonfire Night, Witch Week 2019 is imminent. You may still have time to acquire and read Diana Wynne Jones’ fantasy Cart and Cwidder, our featured book for discussion, but if that doesn’t appeal then do sit back and enjoy the guest posts to come. Our focus is on villains, and fellow bloggers will be discussing them in

  • graphic novels
  • plays by Shakespeare
  • a Diana Wynne Jones novel
  • a series by Joan Aiken
  • and the first volume of the Chronicles of Narnia.

So, not long now to wait: this is your final reminder!

Open locks, whoever knocks.

Entrance doors, Town Hall, Leeds, West Yorkshire

Witch Week 2019 is coming

In two months it will be that traditional witching period of the year, which will mean it’s now time to remind you of the annual blogging event that is due then.

Witch Week is an annual event inspired by a 1982 novel of the same name by Diana Wynne Jones. As always it’s planned to run from Halloween to Bonfire Night, the day celebrating the failure of a plot to blow up the Houses of Parliament in 1605. (The ‘mother of all parliaments’ is going through a different kind of crisis just now.)

Inaugurated by Lory of Emerald City Book Review, the week (now in its sixth year) features guest posts and a readalong all under a broad theme; for 2019 this is VILLAINS.

Curated this year, as last year, by Lizzie Ross and myself, 2019’s posts will all appear here on Calmgrove: at present we plan that they will feature selected villains from Shakespeare and in graphic novels, in the Chronicles of Narnia, in Diana Wynne Jones’ Black Maria (also published as Aunt Maria) and in Joan Aiken’s Wolves Chronicles.

The readalong will be Cart and Cwidder, from Diana Wynne Jones’ fantasy sequence The Dalemark Quartet; you are invited to read this beforehand and join in a discussion introduced by an edited online conversation.

The wrap-up post will then announce next year’s theme, one we hope you will love getting your teeth into!

Two months sounds a long time away but that will give us time to chivvy along tardy guests (including me!) and also give you time to think around the theme as well as to source a copy of the readalong. (HarperCollins Children’s Books have published a new UK edition in the last couple or so years, for example.)

Hope you’re as excited as we are: heaven knows that villains are more acceptable in fiction than in real life…

The Imaginarium by Chris Riddell, Mr B’s Emporium of Reading Delights, Bath

Mischief, thou art afoot

“Now let it work. Mischief, thou art afoot.
Take thou what course thou wilt.” Mark Anthony, in Shakespeare’s Julius Caesar

It may seem odd for those of us in the northern hemisphere anticipating high summer to be considering the onset of winter, but that is what this post is asking its readers to do. (Denizens of the southern hemisphere, I pray your indulgence.)

The reason for this timely yet untimely reminder is that in less than six months time, if the Fates are willing, we shall be contemplating the imminent arrival of Witch Week 2019. This is a week-long celebration of things fantastical in memory of Diana Wynne Jones, author of Witch Week — which itself charted certain singular events between Halloween and Bonfire Night.

Originally inaugurated by Lory Hess so brilliantly, last year’s Witch Week was ‘curated’ by Lizzie Ross and myself and featured the theme Fantasy + Feminism. This year we will focus on — cue diminished seventh chords and evil laughter — Villains. So, what can we expect?

Continue reading “Mischief, thou art afoot”

Good to go

Framework

Another year starts, and we’re all encouraged to plan ahead… Well, I don’t do New Year’s resolutions. I don’t have targets. I don’t set challenges.

What I have instead are goals: something to generally aim for but no pressure other than satisfaction at reaching them or even making the initial effort.

A better metaphor might be a framework: something that provides shape but the cladding for which is more random and the amount of cover more arbitrary. Imagine a big wide open goalmouth, the posts set wide apart and the crosspiece high, the netting a patchwork of different materials and loosely spread over. It’s pleasing to get the ball in the net but, heaven forfend, I’ve never had dreams of being a Premiership player…

So, Reading Goals. (No, not Reading Gaol, that was Oscar Wilde.)

Continue reading “Good to go”

Cardiff BookTalk Le Guin event

Cardiff BookTalk describes itself as “the book group with a difference: we listen to experts on great literature and then explore the big themes from the books in lively conversation.” Recently its members have been exploring science fiction and fantasy genres, including a screening and discussion of the biopic Mary Shelley as part of Cardiff FrankenFest, a contribution to a worldwide Frankenreads initiative.

Earlier this week I managed to attend a special discussion of Ursula LeGuin’s A Wizard of Earthsea, and hope you’ll enjoy the report on the evening that follows, not least because Lizzie Ross and I hosted a Witch Week event which included posts on Le Guin. This year marks not only UKLG’s death in January but also the fiftieth anniversary of the groundbreaking A Wizard of Earthsea, and as a feminist she remains a notable figure in a year that has seen the #MeToo movement take off, plus the centenary of partial women’s suffrage being won in the UK, along with unofficial recognition of 2018 as being the year of the woman. And not before time, as most years irritatingly seem to be dedicated to only half of the world’s population.

Continue reading “Cardiff BookTalk Le Guin event”

Witch Week Day 7: Ending / Beginning

That wraps up Witch Week 2018, and Lizzie and Chris have so enjoyed hosting this. We couldn’t have done it without the help of everyone who participated:

• Marlyn, of Stuff ‘n’ Nonsense, for her list of Ten Kick-Ass Heroines
Tanya, of Tanya Manning-Yarde, PhD, for her beautiful review of Ursula K Le Guin’s poetry collection, Finding My Elegy
Piotrek and Ola of Re-enchantment of the World, for their discussion of the women in the Witcher stories by Polish author Andrzej Sapkowski
Lory, of Emerald City Book Review, who last year retired her Witch Week broom yet found time to review Madeline Miller’s Circe and participate in our discussion of Le Guin’s The Other Wind
people — too numerous to mention — who added comments and questions; posted pingbacks, links, and reviews on their own blogs; and Tweeted/Facebooked links to our posts

For anyone not yet sated, here are the links for the Emerald City Book Review Master Posts from earlier years:

Witch Week 2017: Dreams of Arthur
Witch Week 2016: Made in America
Witch Week 2015: New Tales from Old
Witch Week 2014: Diana Wynne Jones

Thanks again to all of you for sharing this event with us, and we hope you’ll join us next year, when our theme will be … VILLAINS.

Witch Week Day 6: The Genius of Ursula K Le Guin

Le Guin’s fantasy fans will recognize these few lines from The Creation of Éa, Le Guin’s imagined mythology of Earthsea:

Only in silence the word,
only in dark the light,
only in dying life;
bright the hawk’s flight
on the empty sky.

Some of us know that Le Guin wrote poetry before she wrote fiction, but how many of us have read beyond the fragments in her novels? Today, poet and guest blogger Tanya Manning-Yarde tantalizes us with a taste Le Guin’s poetry.

Tanya Manning-Yarde, PhD, is a poet and freelance writer from New York City. A graduate of Rutgers University and University at Albany, she recently worked as a copy editor and contributing writer for Bronze Magazine. She blogs at Tanya Manning-Yarde PhD (Instagram @every_watering_word_author) and is a freelance blogger for the annual Montclair Film Festival in Montclair, NJ.

Prior to pursuing a career as a writer, she was a high school English/Language Arts teacher, Assistant Professor, Instructional Coach, and an educational consultant. Her poems have been published at Literary Mama, Memoryhouse and Random Sample Review. Her first poetry collection, Every Watering Word, was published in 2017 (Wasteland Press).


Ursula K Le Guin’s Finding my Elegy: New and Selected Poems (Houghton Mifflin Harcourt, 2012) is a compelling constellation of poems. Spanning fifty years, this collection chronicles selected early writings to contemporary pieces previously unpublished. Although well known for her science fiction writing, Le Guin was also a prolific poet, demonstrating versatility in verse and dexterity in the topics she pondered. This compilation illustrates Le Guin’s agility; her poetry is unfettered, unobligated, reliant neither on topical boundaries nor compliant with poetic structural apparatuses.

Continue reading “Witch Week Day 6: The Genius of Ursula K Le Guin”