Wordplay and swordplay

Cyfarthfa Castle, Merthyr Tydfil

Andrzej Sapkowski: The Last Wish
Ostatnie życzenie (1993),
translated from the Polish by Danusia Stok (2007)
Gollancz 2012

What fun this is to read, and what fun Sapkowski must’ve had writing it! It both pays homage to and takes the mickey out of the swords-and-sorcery genre; it subverts the classic fairytales it plunders while respecting their power and integrity; and it revels in witty dialogue and pithy wordplays only to cut them short with bloody cut-and-thrust swordplay worthy of a movie swashbuckler like Douglas Fairbanks Snr.

This is a prime example of the author accomplishing that seeming paradox, having his cake and eating it. He simultaneously deconstructs so-called High or Epic Fantasy by pointing out its use of problematic clichés and then celebrates them by taking them seriously.

And what a character to have take centre stage: Geralt of Rivia, a Witcher trained to tackle the monsters that threaten the communities of this late medieval world, using weapons-skill and magic, and all in the face of fear and suspicion from those very societies he is trying to save.

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Cardiff BookTalk Le Guin event

Cardiff BookTalk describes itself as “the book group with a difference: we listen to experts on great literature and then explore the big themes from the books in lively conversation.” Recently its members have been exploring science fiction and fantasy genres, including a screening and discussion of the biopic Mary Shelley as part of Cardiff FrankenFest, a contribution to a worldwide Frankenreads initiative.

Earlier this week I managed to attend a special discussion of Ursula LeGuin’s A Wizard of Earthsea, and hope you’ll enjoy the report on the evening that follows, not least because Lizzie Ross and I hosted a Witch Week event which included posts on Le Guin. This year marks not only UKLG’s death in January but also the fiftieth anniversary of the groundbreaking A Wizard of Earthsea, and as a feminist she remains a notable figure in a year that has seen the #MeToo movement take off, plus the centenary of partial women’s suffrage being won in the UK, along with unofficial recognition of 2018 as being the year of the woman. And not before time, as most years irritatingly seem to be dedicated to only half of the world’s population.

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Witch Week Day 7: Ending / Beginning

That wraps up Witch Week 2018, and Lizzie and Chris have so enjoyed hosting this. We couldn’t have done it without the help of everyone who participated:

• Marlyn, of Stuff ‘n’ Nonsense, for her list of Ten Kick-Ass Heroines
Tanya, of Tanya Manning-Yarde, PhD, for her beautiful review of Ursula K Le Guin’s poetry collection, Finding My Elegy
Piotrek and Ola of Re-enchantment of the World, for their discussion of the women in the Witcher stories by Polish author Andrzej Sapkowski
Lory, of Emerald City Book Review, who last year retired her Witch Week broom yet found time to review Madeline Miller’s Circe and participate in our discussion of Le Guin’s The Other Wind
people — too numerous to mention — who added comments and questions; posted pingbacks, links, and reviews on their own blogs; and Tweeted/Facebooked links to our posts

For anyone not yet sated, here are the links for the Emerald City Book Review Master Posts from earlier years:

Witch Week 2017: Dreams of Arthur
Witch Week 2016: Made in America
Witch Week 2015: New Tales from Old
Witch Week 2014: Diana Wynne Jones

Thanks again to all of you for sharing this event with us, and we hope you’ll join us next year, when our theme will be … VILLAINS.

Witch Week Day 6: The Genius of Ursula K Le Guin

Le Guin’s fantasy fans will recognize these few lines from The Creation of Éa, Le Guin’s imagined mythology of Earthsea:

Only in silence the word,
only in dark the light,
only in dying life;
bright the hawk’s flight
on the empty sky.

Some of us know that Le Guin wrote poetry before she wrote fiction, but how many of us have read beyond the fragments in her novels? Today, poet and guest blogger Tanya Manning-Yarde tantalizes us with a taste Le Guin’s poetry.

Tanya Manning-Yarde, PhD, is a poet and freelance writer from New York City. A graduate of Rutgers University and University at Albany, she recently worked as a copy editor and contributing writer for Bronze Magazine. She blogs at Tanya Manning-Yarde PhD (Instagram @every_watering_word_author) and is a freelance blogger for the annual Montclair Film Festival in Montclair, NJ.

Prior to pursuing a career as a writer, she was a high school English/Language Arts teacher, Assistant Professor, Instructional Coach, and an educational consultant. Her poems have been published at Literary Mama, Memoryhouse and Random Sample Review. Her first poetry collection, Every Watering Word, was published in 2017 (Wasteland Press).


Ursula K Le Guin’s Finding my Elegy: New and Selected Poems (Houghton Mifflin Harcourt, 2012) is a compelling constellation of poems. Spanning fifty years, this collection chronicles selected early writings to contemporary pieces previously unpublished. Although well known for her science fiction writing, Le Guin was also a prolific poet, demonstrating versatility in verse and dexterity in the topics she pondered. This compilation illustrates Le Guin’s agility; her poetry is unfettered, unobligated, reliant neither on topical boundaries nor compliant with poetic structural apparatuses.

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Witch Week Day 5: Discussion of The Other Wind

THE OTHER WIND Discussion, Witch Week 2018

Lizzie, Lory and Chris approached this discussion of The Other Wind, the read-along book, not as a Q/A session, but rather as responses developing over time and in conversation with each other. Below: the edited version, with sections that match our Feminism+Fantasy theme. For the complete version (17 pages!), click here. And if you’ve read the book please join the conversation in the Comments.

Chapter I. Mending the Green Pitcher

LIZZIE: I’m glad to see Ged play a part in the action – to hear his reference to Tenar as his wife, and watch him only minimally regretful/angry about the loss of his powers.

CHRIS: Time enough for Ged to be better reconciled to his loss of power and status. He derives a quiet joy from mundane tasks and routines, but it is now Alder who is confused by Ged’s acceptance of a massive change of status and refusal to see Lebannen.

LORY: Ged has made a huge journey through the novels. In A Wizard of Earthsea, we meet him as a proud, insecure, sometimes arrogant young man, eager to acquire and display power. He matured into a wiser man who recognized the importance of balance and restraint. Now, having given away his extraordinary powers to restore balance to the world, he recognizes the value of the mundane and ordinary. It’s where all the magic comes from, after all, and what it should serve.

It makes me think about our own world and the power of simple acts: mending, tending, healing, caring. But I still wonder: Why does Ged refuse to meet the King or his fellow wizards? Is it really shame and regret? Or does he simply not fit into their world any more, would he feel too out of place?

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Witch Week Day 4: A Famous Witch

Circe with leopards and a book of spells: J W Waterhouse’s The Sorceress (1911-1915)

Many of you know Lory, of Emerald City Book Review, as the creator of the Witch Week blogging celebration to honor Diana Wynne Jones. Lory announced last year that she was ready to hand over the reins to any interested blogger. We’re lucky (and grateful) that she was willing to be one of our guest bloggers this year.

Lory Widmer Hess shares her reading journey at Emerald City Book Review. Books based on fairy tales and mythology are among her favorite things, along with long walks, knitting, singing, and chocolate. She came up with Witch Week five years ago as a new blogger, and still considers it one of the best ideas ever. For more information about (and images of) the infamous witch of Greek mythology, Lory recommends a read of Madeline Miller’s photo essay.

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Witch Week Day 3: The Women of Witcher

Yennefer and Triss

We’re pleased to include in Witch Week this piece by Piotrek and Ola, authors of the Re-Enchantment of the World blog, here discussing the female characters of the Witcher novels by Andrzej Sapkowski. A fuller version of this edited-down post can be read here.

The Women in the world of Witcher

The Witcher! Monster-slaying character from computer games, soon to be made into a Netflix series starring Henry Cavill … but, also, as more and more people in the English-speaking world begin to realise, a book series by Andrzej Sapkowski. Well, actually the books predate games by almost two decades. The Witcher saga, which gave Sapkowski the World Fantasy Award (Lifetime Achievement, 2016) and Gemmell (2009), is finally translated into the language of Shakespeare, so it’s a good time to check it out before the Netflix adaptation.

One of the reasons it’s worth your time – and a good topic to discuss during Witch Week – is a multitude of female characters. Many of them are strong women, active and extremely important for the plot, which is set in a realistic European-medieval fantasy world where gender balance is a bit more equal than in our history, and not only due to the existence of powerful sorceresses. And that is what we want to discuss today, for the general review of the series we invite you to go here. We will try to keep the text spoiler-free, at least in regards to the major events, as our opinions about major characters will be visibly informed by our knowledge of their actions and fate.

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