Urban gorilla war

Christmas Steps, Bristol © C A Lovegrove

[After Fire and Hemlock] I then started, immediately, to write Archer’s Goon. Just picked up a fresh block of paper and began. Now those of you who have read this book will know that it hinges on a man called Quentin Sykes discovering a newborn baby in the snow. I had just started the second draft of this book when my eccentric Sussex friend went for a walk in the middle of a winter’s night and discovered a baby. It is all very well my books coming true on me—it is a risk I take—but when this starts rubbing off on other people it is no joke.

Diana Wynne Jones, ‘A Whirlwind Tour of Australia’

Most if not all authors include bits of themselves, their lives, their family and friends in their novels, and that’s what often adds authenticity to their narratives and a sense of verisimilitude. That applies as much—if not more so—to fantasy as to contemporary fiction, but if authors find true life imitating fiction it can be disconcerting, to say the least.

Diana Wynne Jones’s fantasy Archer’s Goon (1984) has so much busy-ness about it that, outside a spoiler-free review, it’s hard to know where to begin. Perhaps a discussion of its physical setting would be a good starting point, because after that the characters and the themes can be placed like pieces and moves on a gameboard.

The author spent a good many decades in the English town of Bristol until her death in 2011 and this novel, like a few other novels of hers — such as Deep Secret (1997), The Homeward Bounders (1981) and Fire and Hemlock (1985) — features aspect of Bristol in its topography and placenames. As it happens, she has borrowed a good many street names for her unnamed town which, as an ex-Bristolian myself, I have walked and know well. So the first part of this spoiler-filled post will start with places, and then I shall go on to discuss a little (or maybe a lot) about people and themes. The curious names encountered — Archer, Shine, Dillian, Hathaway, Torquil, Erskine, and Venturus — refer to seven sibling magicians whose names will crop up later in the discussion. I shall also be mentioning Howard Sykes and his sister Awful — real name Anthea — who play central roles in most of the action when drawn into conflict with the enchanters.

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Fantasy subgenres

April is proving to be a Month of Random Reading. Which is good, I think. Especially as May will be a month of fantasy reads under the Wyrd & Wonder banner.

There are eight fantasy subgenres offered for consideration, and in this anticipatory post I shall be looking at them in a little more detail, seeing what I’ve already read that falls in each category (links are to my reviews or discussions) and ruminating on what I might choose to read in the merry month of May. Though I may change my mind at the last moment.

It’s possible I shall read one example of each subgenre in the space of four weeks, perfectly achievable at the rate of two a week, but I’m making no promises!

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Somewhere at the edge of Europe

Cretan-labyrinth

China Miéville: The City and the City
Pan 2010 (2009)

Can cities really
co-exist in the same place?
Beware the frontier!

China Miéville’s preferred genre is ‘weird fiction’, and a sub-genre within that is urban fantasy. Kraken, for example, is set is a barely recognisable London, and the earlier The City and the City is set in the twin cities of Besźel and Ul Qoma, “somewhere at the edge of Europe”. Besźel and Ul Qoma aren’t quite like Buda and Pest, or Istanbul spread between Europe and Asia Minor, though they do share that sense of liminality, of neither-nor. And the dividing line between the two isn’t as physically evident as, say, the Danube or the Bosphorus: individuals who stray across (let alone stare across) that metaphysical divide, who literally “breach” (particularly in so-called “cross-hatched” areas), are likely to fall foul of a shadowy force called Breach.

Into this knife-edge world strides the Besz police inspector Borlú, investigating the murder of an unknown young woman.

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London is the hero

China Miéville Kraken: an Anatomy
Pan 2010

Welcome to London
and an underground of cults,
cops, criminals, squid.

There has been precious little discussion about the significance, if any, of Kraken’s subtitle. Anatomy, which now means the science of body structure, derives from Greek roots implying cutting open and, particularly, apart (what we’d now call an autopsy). I suggest that Kraken is not just about a giant squid specimen in the Natural History Museum (or rather, for most of the book, out of the Museum) but about how it is used to cut open the underbelly of an arcane and corrupt London and expose its putrefying innards.

Ultimately this urban fantasy is about the power of words. Continue reading “London is the hero”