Patricia Highsmith: Sour Tales for Sweethearts
Virago 2015 (1975)
Here are four domestic vignettes, all with a bitter ending, by the mistress of the twisted tale. ‘The Hand’ tells us that asking a father for his daughter’s hand may not bring the result the young man making the request expected; nor is the ending what we the readers may have expected. ‘The Invalid, or, The Bed-Ridden’ is a morality tale for those who would feign illness or disability, while in ‘The Fully-Licensed Whore, or, The Wife’ the titular character proves she can have her cake and eat it. Finally, ‘The Female Novelist’ features a writer with a heap of rejection slips and a wayward husband; where is she going to get her inspiration from?
Delicious little tales, these, with that unpleasant aftertaste that characterises Highsmith. Three of the pieces involve death, two the result of murder, the fourth might even hint at thoughts of violence. She uses a sparse narrative style, concentrating on description with few adjectives (except when necessary) and fewer adverbs. Occasionally a protagonist’s thoughts are revealed, but they are rarely profound.
The archaic titles of a couple of the tales only helps to distance the writer and the reader from the personnel. Highsmith is like a behavioural scientist, observing rats as they go about in their constrained environments and tweaking the controls to get them to do something out of the ordinary. It’s not a pretty sight, but for the reader it’s morbidly fascinating.