Screenplay principles

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I mentioned some time ago that I’d signed up to a short course on Screenwriting, part of an ongoing series of Creative Writing classes. This was not necessarily because I wanted to complete a screenplay but because writing for film is part of that tradition of composing narratives that includes drama, oral tales and, of course, novels.

Here I only want to briefly outline a few definitions when it comes to the ideas from which a screenplay is born. In class we were introduced to Robert McKee’s 1999 text Story: Substance, Structure, Style and the Principles of Screenwriting (Methuen Film), in particular the part in which he outlines the three basics which every good screenplay needs. These basics are Premise (what the story is about, in other words a general description of the story); Hook (what grabs the attention of the viewer, rather like a riff or chorus in a popular song); and finally Controlling Idea (in other words, the main themes of the movie).

To try and get under the skin of these basics we were asked to identify them in a mainstream film; I chose The Bourne Ultimatum. This thriller from 2007 (which seems to be showing on one digital channel or another most nights of the week) was directed by British filmmaker Paul Greengrass and starred Matt Damon. See what you think. Continue reading “Screenplay principles”