Donna Leon The Jewels of Paradise
Arrow Books 2013 (2012)
Biographers are akin to stalkers: they remorselessly research the background to their victims, obsessively familiarise themselves with their subjects’ feats and foibles, and lurk around in their vicinity hoping to pick up tidbits of information to feed their fascination. So do historical researchers, and so do fiction writers — but with one major difference. When the subject is deceased, or even imaginary, they are not harmed, nor is their personal privacy invaded or their equanimity threatened.
In The Jewels of Paradise musicologist Caterina Pellegrini finds herself drawn back to her native Venice by the promise of research into the papers left by a mysterious Baroque composer who, she subsequently discovers, is one Agostino Steffani. But that’s not all that’s mysterious about her job. Who are the strange Venetian cousins, Stievani and Scapenelli, who have hired her for this hush-hush job, and what role does the equally opaque lawyer Andrea Moretti have to play in all this? And who is that man following her one evening?