Suffolk jinks

Southwold Pier © C A Lovegrove

As coronavirus restrictions on travel began to be lifted across the UK nations we were able to grab a holiday in self-catering accommodation in Suffolk for a special anniversary. That this would involve driving a few hundred miles there and back was a penance worth suffering, and the weather, even if not perfect, was at least tolerable.

We stayed near the pretty town of Southwold which meant walks on the beach and in the vicinity as well as chances to see relatives within driving distance, but a big if unexpected bonus for me was to discover local literary connections. The first real indication of these was a mural of George Orwell on Southwold pier by street artist Charlie Uzzel-Edwards, aka Pure Evil.

Tempting though it was to title this post The Road to Southwold Pier (I settled for a covert allusion to a popular colour for house façades) a little bit of digging revealed a few more literary figures of note, which I’d now like to share with you if you’d be kind enough to bear with me.

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Conflicted emotions

churchyard yew
Churchyard yews

Patrick Ness A Monster Calls
From an original idea by Siobhan Dowd
Illustrations by Jim Kay
Walker Books 2012 (2011)

Anyone who knows or knew anyone with a prolonged life-threatening illness may well sympathise, even empathise, with young Conor in this moving story. His mother has for some time been an out-patient at a local hospital but the doctors have to resort to alternatives when her illness fails to respond to the usual treatments. Meanwhile Conor has to hope against hope that things will get better, but at the same time has to cope with a recurring nightmare, bullies at school, a disapproving grandmother and a father whom he sees less and less of, due to a demanding new family across the Atlantic in the US.

And then a monster calls. Or does Conor call it?

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