Uncover his face (part 1)

eyes

Hildegard Hammerschmidt-Hummel
The True Face of William Shakespeare:
The poet’s death mask and likenesses from three periods of his life

Translated from the German by Alan Bance
Chaucer Press 2006

Here is my kind of book: a true life tale of literary detection that outshines fictional mysteries, however well written they may be. Sadly, it is also a piece of research that exposes at least two more mysteries: what has happened to two very probable Shakespeare likenesses in very recent times, centuries after the playwright’s death? But there is also pleasure and satisfaction that any lingering doubts expressed by anti-Stratfordians (“Did Shakespeare actually write Shakespeare’s plays?”) have finally been put to sleep … one hopes.

Hildegard Hammerschmidt-Hummel is a determined Shakespearean academic who, in this closely argued study, examines two portraits, two sculptured busts and a death mask in great forensic and documentary detail. She gives the cultural context for the 16th- and 17th-century creation of accurate, true-to-life, warts-and-all representations of illustrious people before then going on to describe her selected images. Then she describes the various scientific tests she applied to those images (with the help of experts in several disciplines) using procedures available in the 1990s, and then summarises the results. Finally she puts those results back into historical and biographical context.

What were those images?

Continue reading “Uncover his face (part 1)”

Making the transition

tunnel

Philip Pullman
The Broken Bridge
Macmillan Children’s Books 1998 (1990)

Ginny Howard’s mother was from Haiti, and it’s from her that Ginny apparently inherits her artistic talents. She now lives with her widowed father in a Welsh village near the sea, and for a fifteen-year-old of mixed descent that isn’t easy. Come the summer holidays and some of the mysteries concerning her mother and family start to emerge, upsetting the sensitive but determined teenager at that crucial period when she is making the difficult transition from childhood to adulthood.

“Coming-of-age”, “teenage-angst”, “identity-crisis” – yes, these are all appropriate labels to pin on this novel, but they only convey part of what Pullman is about. Continue reading “Making the transition”