The True Face of William Shakespeare:
The poet’s death mask and likenesses from three periods of his life
Translated from the German by Alan Bance
Chaucer Press 2006
Here is my kind of book: a true life tale of literary detection that outshines fictional mysteries, however well written they may be. Sadly, it is also a piece of research that exposes at least two more mysteries: what has happened to two very probable Shakespeare likenesses in very recent times, centuries after the playwright’s death? But there is also pleasure and satisfaction that any lingering doubts expressed by anti-Stratfordians (“Did Shakespeare actually write Shakespeare’s plays?”) have finally been put to sleep … one hopes.
Hildegard Hammerschmidt-Hummel is a determined Shakespearean academic who, in this closely argued study, examines two portraits, two sculptured busts and a death mask in great forensic and documentary detail. She gives the cultural context for the 16th- and 17th-century creation of accurate, true-to-life, warts-and-all representations of illustrious people before then going on to describe her selected images. Then she describes the various scientific tests she applied to those images (with the help of experts in several disciplines) using procedures available in the 1990s, and then summarises the results. Finally she puts those results back into historical and biographical context.
What were those images?