Garth Nix’s Goldenhand (Hot Key Books 2016) is the latest addition to a long-running fantasy sequence generally known as the Old Kingdom series. This post is a short overview of what preceded Goldenhand for those in the dark about the series, and looks forward to what questions may be addressed when in due course I post a review.
If you haven’t come across the Old Kingdom before, or even find fantasy tedious or derivative, I may still be able to persuade you to at least consider the novels for their, ah, novel approach to all things magical.
Garth Nix Across The Wall:
a Tale of the Abhorsen and Other Stories
HarperCollins Children’s Books 2007 (2005)
There can’t be many children’s fantasy authors who have remained untouched by the Arthurian legend: John Masefield, Alan Garner, Ursula Le Guin (she shows this awareness in her introduction to Tales from Earthsea), Diana Wynne Jones, Joan Aiken and Philip Reeve are all writers who spring to mind as acknowledging the huge influence of the Matter of Britain. The Australian author Garth Nix is another who makes his debt clear but this predilection doesn’t represent the limits of his storytelling. Continue reading “A showcase for storytelling”→
This, the third of the Old Kingdom series, follows immediately on from Lirael, set about a score of years after the events in Sabriel. Young Lirael, who was still hoping to gain the gift of clear foresight that her kin the Clayr claimed as their birthright, has accepted instead that she is Abhorsen-in-waiting. Prince Sameth, relieved that he is no longer Abhorsen-in-waiting, finds that he is destined to be a Wallmaker — appropriately as he has the gift of making. These are complicated roles to understand without knowledge of the previous two volumes in the series but, bearing in mind the title of this book, an explanation is probably called for — for at least one of the roles. Continue reading “A deeply immersive world”→
Does the walker choose the path, or the path the walker?
Much of fantasy is founded on the principle of Fate taking a hand in deciding future outcomes. It’s hardly surprising – it shares this principle with fairytale, with mythology, with religion, whether Fate is called a fairy godmother, a god or any other kind of demiurge. With backgrounds such as these the notion of prophecy looms large, even saws and sayings become significant determinants which one defies at peril or at least with little success.
In Garth Nix’s Old Kingdom series that sense of predestination is encapsulated in the question “Does the walker choose the path, or the path the walker?” Now while many abhor such casual predetermining of individual or collective futures by Fate (or whatever one chooses to call it) there is no denying that as a plot device in fantasy it can be not only a successful but also satisfying way of ensuring that karma catches up with individuals and justice in all its forms is seen to be done. From fairytales through myth and on to much classic literature we all like a pleasing narrative where good, despite the odds stacked against it, overcomes evil in the end and all deserving souls live, for the foreseeable future, happily ever after.
A young woman finds herself thrust into a task that she feels unprepared for, and of course you have to hope that, despite the odds, she succeeds. This being fantasy, first cousin to fairytales and heir to human dreams, you can be almost certain that she will. But, to quote the song, what gets results is not what you do but the way that you do it; and because Garth Nix is a talented writer, with a long track record in publishing and editing, the end result is a very distinguished and impressive first volume in The Old Kingdom series that rarely feels as if it’s peddling clichés.
In some countries the trilogy is named the Abhorsen series, from the title of the gatekeeper between the realms of the living and the dead, a necromancer who communicates with the deceased through the use of a set of bells. Sabriel, the daughter of the current Abhorsen, finds herself in quest of her missing father with only the instruments of his calling and a talking cat called Mogget. This involves a dangerous foray from Ancelstierre into the Old Kingdom where magic is strong; conversely anything mechanical is unable to function. Her search requires her to journey through inimical landscapes, survive a siege, fly in an engineless aircraft called a paperwing and survive numerous brushes with death, vividly described as being an underground river flowing through nine precincts. This is not a laugh-a-minute tale. Continue reading “Many layers of allusion”→
For award-winning, internationally-acclaimed author Rosemary Sutcliff (1920-92). By Anthony Lawton: godson, cousin & literary executor. Rosemary Sutcliff wrote historical fiction, children's literature and books, films, TV & radio, including The Eagle of the Ninth, Sword at Sunset, Song for a Dark Queen, The Mark of the Horse Lord, The Silver Branch, The Lantern Bearers, Dawn Wind, Blue Remembered Hills.