Christopher Priest: The Adjacent
“We were naïve, all of us but especially me — we thought we were making a breakthrough into something that would neutralise weapons. It would always be safe to use, non-aggressive in nature, harmless because it would remove harm. But what we all feared soon came to pass: minds other than ours worked out how to make quantum adjacency into a weapon of war.”
— Professor Thijs Rietveld, discussing Perturbative Adjacency Field.
This is a novel of ideas, of obsessions, and of the emptiness when a loved one disappears. It’s a work of speculative fiction, but one in which one mustn’t look too closely at the science nor expect any magic (except that being accomplished by smoke and mirrors). It’s a narrative that jumps around in time and space, told in both the first and the third person, in which we encounter many individuals; but ultimately there is one thread and one couple on which our attention is focused. It’s a novel that is by turns illogical and alienating but yet strangely satisfying.
Told in eight parts, The Adjacent begins in a dytopian 2030s. Hopping between Anatolia and the Islamic Republic of Great Britain we come to realise that the world is in the grip of two crises, one of extreme weather brought about by rapid climate change, the other produced by random terrorist strikes using a frightening, almost apocalyptic, weapon. It is this last that has apparently caused the disappearance of Melanie Tarent while on relief work as a nurse in Turkey, to the distress of her husband Tibor, a freelance photographer, who travels back to the IRGB, towards Lincolnshire and Hull, then one of the seats of government.
Thereafter, while continuing to follow Tibor’s story we also find ourselves travelling to the western front during the first world war with stage illusionist Tommy Trent and H G Wells, then to the home of Nobel prizewinner, the physicist Thijs Rietveld in East Sussex, where he is photographed by a younger Tibor; this is followed by a Second World War airfield for Lancaster bombers in the Lincolnshire Wolds (modelled on RAF Binbrook) where we meet Aircraftman Mike Torrence, and then the apparently fictitious island state of Prachous where we follow the career of Thom, a stage magician, and Tallant, an overseas visitor. What is the connection, if any, between all these individuals with curiously related names; and of the women whom they meet, whose names equally seem to share resemblances?
Continue reading “Smoke, mirrors and planes”