In a previous life I was quite into archaeology, young fogey that I was then (old fogey now, of course). My experience includes working on a multi-period hillfort (South Cadbury, Somerset), a Roman villa (Bratton Seymour, also in Somerset) and an early medieval church and Welsh medieval farmstead (Llanelen, Gower). The first lasted a week, the second three years, and the last twenty-one years (from the first recce in 1974 to publication in 1995) with some small investigations subsequently.* The first dig I was involved in coincided with early issues of Current Archaeology, to which I started subscribing, and with very few gaps I have continued to receive the magazine ever since — despite no longer being actively involved with excavation.
It began as a bi-monthly in 1967, becoming monthly exactly forty years later and changing its size once or twice.** Entirely funded from subscriptions (no advertising at all) it encouraged growing loyalty in its readers, to the extent that it now claims some 17K subscribers around the world. Though I’ve since passed on the bulk of my back issues — partly down to downsizing because of moving and partly because theories and techniques and data inevitably move on — I still keep the last year or two of issues to remind myself of where the art of archaeology is now.
I say ‘art’ because, despite the massive use of science, technology and statistics in this field, a lot of archaeology’s success is down to the experience and expertise of the excavation directors: it’s not a skill one can merely apply by numbers, though order and precision is essential of course. Also, archaeology is primarily about humans, their relics and their remains, and humans are rarely consistent across time and place. No one size fits all.
So, the magazine aims to “bridge the gap between the amateur and the professional in archaeology”. This means that mainly professional archaeologists write the feature articles in a language that a non-specialist but intelligent reader can follow. News and views and reviews are also included (hence the ‘current’ appellation), often with light-hearted observation thrown in (forget the po-faced stereotype of the academic historian or amateur nerd).
Issue 311 is particularly interesting from my point of view. There’s news about the site of Glastonbury Abbey (a traditional burial place for King Arthur) which recent research both confirms was occupied in the Dark Ages and throws doubt on the antiquity of so-called Dark Age graves (which in the 60s Radford claimed could include Arthur’s). There’s also a feature on British migration in Roman times, showing from the distribution of Romano-British brooches that insular Celts travelled extensively not just in Europe but North Africa and the Levant. And more work has been done on the origin of the bluestones of Stonehenge (Merlin was popularly supposed to have raised the pillars at this ancient monument), linking them to Craig Rhos-y-Felin in Pembrokeshire. Amongst the range of periods covered (from the Romans to Shakespeare’s home, from the late Bronze Age to the Industrial Age) there’s also room for the iconoclasm and wit of contributing editor Chris Catling, who casts his gimlet eye on such issues as how to pronounce Shrewsbury (posh or contemporary? authentic or orthographic?), mummification in Britain and Horace Walpole’s link to what’s claimed to be Shakespeare’s skull.
I think I shall be subscribing for some time to come.
* Not three or twenty-one years in a single span, of course! Usually two seasons of one or two weeks, or even just a long weekend, were the norm each year.
** This is the second in a very occasional series of reviews of anything that doesn’t fit comfortably into the category of ‘book’. This includes periodicals, journals, magazines,minizines and any other non-bookish reading matter that grabs my fancy.
Calmgrove 