Grimm by name, grim by nature

forest
A Preseli conifer plantation, a stand-in for Teutonic forests

Cornelia Funke Fearless Chicken House 2013

The second in Cornelia Funke’s Mirrorworld series has been blessed with an authentic-looking late 19th- or early 20th-century map by Raul Garcia, which greatly helps with orientation though, in keeping with the nightmarish nature of the books, its seeming accuracy can be deceiving. In Reckless, Jacob managed to save his brother Will from being totally transformed into a stone being or Goyl (a name derived, no doubt, from ‘gargoyle’); this was, however, achieved at great cost to Jacob himself, who appears thereby to have condemned himself to a lingering death, magically-induced, as a result of his self-sacrifice.

Unless of course he can find a key talisman: Continue reading “Grimm by name, grim by nature”

Darkly imagined universe

looking-glass

Cornelia Funke Reckless Chicken House 2011

Through the Looking-Glass
the Brothers Grimm live again,
but a life more weird

Best known for their collection of fairy tales, more so than for their pioneering philological researches, Jakob and Wilhelm Grimm (their surname translates as ‘fierce’) are the inspiration for the main characters in Cornelia Funke’s novel. Jacob and Will Reckless’ surname — echoing the Grimms’ — means ‘headstrong’, ‘rash’ as well as being a bona fide English surname. When the historic Jakob Grimm was 11 their father died, much as, when Jacob is around the same age, the fictional brothers’ father disappears. Later, the two real-life brothers trained in law before getting deeply involved in researching folklore and folk-customs, and the older Jacob moved in with Wilhelm and his new bride; in Reckless, meanwhile, the unattached young adult Jacob finds himself in an alternative fairytale world joined by brother Will and his girlfriend Clara against his wishes. It is clear that Funke has determinedly drawn on the lives of the Brothers Grimm to structure her tale (the first of many, we are to presume) of magic and fairies set in archetypal Teutonic black forests and Central European cities.

What other influences can be seen in this novel? Continue reading “Darkly imagined universe”