Aliases and anomalies

John Verney, The Island (Bournemouth & Poole College Collection)

The Evidence by Christopher Priest. Gollancz, 2021 (2020).

“For God’s sake, let us sit upon the ground
And tell sad stories of the death of kings.”

Shakespeare, ‘Richard II’

Against his better judgement a crime writer, invited to an overseas conference, attends, and not only has to suffer huge inconveniences but is then reluctantly fed ideas for a plot based on a true crime by a retired cop.

No, that’s not quite the sum of it. In The Evidence we find ourselves on another world, one girdled by an island archipelago, which suffers gravitational anomalies and, in places, something called mutability which somehow changes the reality of events. And while much of the technology feels both contemporary and familiar the social and geopolitical systems are either arcane (as in feudal) or polarised (as in totalitarian versus more liberal systems).

On the other hand – how many hands do we have? – this is pure metafiction: an author describes the processes of writing fiction in this, an actual work of fiction, where sleight of hand, distraction, misdirection and mistaken perceptions are discussed and then perpetrated on the actual as well as the hypothetical reader. You either like what’s been done here or you feel you’ve had the wool pulled over your eyes. Is the narrator reliable or is he too affected by mutability at the deepest level?

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