Treasure in her belly

Great Orme’s Head in the 19th century

Ormeshadow
by Priya Sharma.
Tom Doherty Associates / Tor.com, 2019.

“You must be sad to be here alone.” Gideon was about to say, But I’m not alone, but then he understood.

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A headland jutting out into the Irish Sea. A tramway for tourists leading up and back down to Llandudno. Kashmiri goats roaming the headland and invading the town. Bronze Age copper mines worked for nigh on four millennia.

This is the Great Orme, named by the Vikings for the worm or sea serpent they imagined the promontory resembling. For the visitor such as myself the essence of natural beauty, its breath the stuff of history, mystery and legend.

Then, not to be confused with Great Orme, there’s Priya Sharma’s Orme, a sea-girt headland with the feel of being a part of northwest England; no goats, just sheep; a farm called Ormesleep; and a close-knit community of dispersed settlements set in a landscape saturated with legends of dragons and a hidden hoard of treasure. All is set for a tale of Gothic sensibilities and self-imposed solitude, set in what feels like the Regency period (though we’re never explicitly told so).

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