The gift of gramarye

© C A Lovegrove

The Dark is Rising
by Susan Cooper.
Introduction by Susan Cooper, 2013.
The Dark is Rising Sequence, Book 2. 
Margaret L McElderry Books, 2013 (1973).

“Six Signs the circle, and the grail gone before.”

From the winter solstice, through Christmas and the New Year and on to Twelfth Night – the twelve days of Christmas are rarely so joyless and bleak as here when the Dark threatens the Light. Yet for all its fantastical elements – and there are many – The Dark is Rising is, I sense, a deeply personal tale for the author, set in the southeast corner of Buckinghamshire where she grew up and where, aged eleven, she will have experienced the severe winter of 1946-7 which affected so much of postwar Europe.

Our protagonist is Will Stanton, seventh son and the youngest in a family of nine surviving siblings, about to celebrate his eleventh birthday on midwinter day. But unbeknown to him he is something other than the amiable baby in the family, a personage who will have a crucial role to play during the assault of the Dark. He will have helpers but also a dread assailant, and there will be a betrayal that will put the fate of many at a risk beyond imagining.

Alongside this archetypal conflict which threatens a Ragnarök-scale disaster and the several players who have parts to play is the corner of England that the author knew so well from childhood, a landscape that is as integral to the plot as the people. As Cooper wrote in her introduction to this edition, “every inch of the real world in which Will Stanton lives—and some of the fantasy world too—is an echo of the Buckinghamshire countryside in which I grew up.” In this, my second read of the novel, that knowledge quite literally grounded the novel for me.

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