
The Glass Key
by Dashiell Hammett.
Orion Books, 2012 (1931).
For a classic noir thriller with laconic dialogue, dangerous secrets, and violence both threatened and actual, it’s interesting that what struck me more than the realistic and often visceral details in the story were two separate accounts of what I think are meant to be significant dreams. Whether the reader prefers Freudian or Jungian interpretations, the fact is both dreams reveal more clearly than actions or words the psyches of two of the protagonists.
One is of a fish caught by one character and taken and released by another, and the second concerns the release of a swarm of snakes from behind a locked door. Fish, snakes, a glass key – what in heaven’s name do they signify? It may take the diligent reader till the last pages of this 1930s thriller to get an inkling but I think it’ll prove worth it.
Of course the plot initially involves a murder. Ostensibly the mystery seems to invite the question of who did it, but with a few names in the frame the follow-up questions will also involve the how, the why and the when – means, motivation and opportunity – all with the ambivalent Ned Beaumont our psychopomp, albeit one with a compromised conscience.
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