[Amabel] went straight to the Big Wardrobe and turned its glass handle. ‘I expect it’s only shelves and people’s best hats,’ she said. Of course it wasn’t hats. It was, most amazingly, a crystal cave, very oddly shaped like a railway station. It seemed to be lighted by stars…E Nesbit, ‘The Aunt and Amabel’
Having previously reviewed The Magician’s Nephew (1955) – but in advance of a scheduled review of E Nesbit’s The Story of the Amulet (1906) – I now want to discuss C S Lewis’s indebtedness, both generally and specifically, to his predecessor for not only details but also his general approach to the Chronicles of Narnia.
Not the least of his indebtedness is to Nesbit’s story ‘The Aunt and Amabel’ in The Magic World, in which a well-meaning little girl goes through a wardrobe to a place called Whereyouwantogoto and meets The People Who Understand – does this not sound a teensy bit familiar? I also want to enlarge a bit on aspects of the themes which Lewis introduces to The Magician’s Nephew that weren’t borrowed from Nesbit but yet which mattered enough for him to include in the novel. (When I say “a bit” it appears I mean “quite a lot”. Sorry about that.)
And here, as an aside, I shall just mention in passing other titles that play on aspects of Nesbit’s The Story of the Amulet, namely Diana Wynne Jones’s The Homeward Bounders (1981) which heads in a very different direction from that which Lewis took, and Edward Eager’s Half Magic (1954) which while very much sharing Nesbit’s sympathy for the child also involves some North American children discovering a mysterious talisman not unlike the amulet.Continue reading “Jack and Daisy: #Narniathon21”