Rich in themes: #Narniathon21

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Lewis mines material from his own huge learning, drawing on theology, Renaissance geography, myth, folktales, medieval writings, and even earlier children’s books…

Diana Wynne Jones (2012:48)

Where fans of Narnia are concerned The Horse and His Boy (1954) doesn’t rate as highly among their favourites as others in the series (though usually, it must be admitted, higher than The Last Battle). For many this instalment has issues surrounding racial and/or cultural stereotypes, intermixed with disappointment for some that the expected protagonists take a back seat in the narrative and the action.

However, in common with the previously published titles The Horse and His Boy is rich in themes and motifs which C S Lewis borrowed freely from literature, mythology and folklore.

In this, perhaps overlong, post I want to consider some of these influences, leaving discussion of the issues and of Lewis’s overarching schema to another time. Is it needful to say then that there will be plenty of spoilers ahead?

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