The music of the senses

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Something of His Art:
Walking to Lübeck with J S Bach
by Horatio Clare,
Little Toller Books 2019 (2018).

October 1705. Bach, at just 20 years a church organist in Arnstadt, applies to his superiors for a month’s leave to hear the music of Dietrich Buxtehude in Lübeck, 250 miles (400 km) to the north. His purpose, he told them, was “to comprehend one thing and another about his [Buxtehude’s] art”.

One autumn three centuries later the writer Horatio Clare followed some of Bach’s footsteps for a BBC Radio 3 series called Bach Walks (first broadcast as five programmes in 2017), this time to “learn something” of Bach, the man and his art. In company with a producer director and a sound recordist he attempted to catch a flavour of what it must have like for the energetic and ambitious young composer travelling on foot up the Old Salt Road, moving from south of the Harz Mountains northwards to near the Baltic Sea.

Two artists, then, one taking as close as was possible to the other’s path from one rather conservative culture to a more cosmopolitan environment: would it be possible for Clare to learn something more than the bald facts of Bach’s going and for the listener (and, now, reader) to learn from the writer’s experience?

J S Bach pictured at the organ (1725)

Something of His Art is based on five days Clare spent walking sections of what is surmised to be Sebastian Bach’s route, the audio from each day of providing the basis for five separate 30-minute programmes wedded to the concept of ‘slow radio’. The six chapters largely parallel those walks as the trio travel through fields and woods, cross the Harz highlands via the Brocken summit, and pass through settlements and towns.

By degrees a nature walk, retailings of historical snippets, speculations on Bach’s experiences, hopes and musical lessons, and reflections of Clare’s responses to Bach’s compositions, this nonfiction novella — just a hundred pages in the paperback edition — is the literary equivalent of that slow-radio series. By recording all that he sees, hears, feels, smells and, at times, tastes, Clare invites the reader to be his surrogate and, by extention, to get a feel of what the composer may have experienced.

Reading this, as I did, during the same month Bach and Clare journeyed through the same countryside, being alert myself to similar birdsong and some of the same scents, listening to recordings Bach’s music as I often do, and rehearsing, playing and singing Baroque music in the run-up to seasonal concerts, gave Something of His Art even more relevance, especially knowing that Bach was intending to enjoy the Advent services and concerts Buxtehude was wont to put on in Lübeck.

I personally found this a delight on so many levels. Clare is a prose poet, and his descriptions of his surroundings vividly conveyed the physicality of the walks in sensitive and evocative language. He also anchored us to the present, drawing comparisons with life three centuries ago and throwing in anecdotes about the companionship the writer, the director and the sound engineer enjoyed. The notion of their having a foot in both the past and the present was echoed in many ways, not least in the physical representations of the composer they encounter at journey’s start and end: the jaunty statue of a relaxed young Bach in Arnstadt and the modern plaque in Lübeck’s rebuilt Marienkirche depicting Dietrich Buxtehude and his acolyte in symbolic form.

And, because this slim volume has the composer as focus, there is discussion of Bach’s actual music — his organ pieces, cantatas, chorales, instrumental works and more — presented by an author who, though coming relatively late to the classical repertoire, had found the cello suites in particular of profound comfort whenever depression visited him:

The music seems by turn wise and melancholy, ruefully amused sometimes, and philosophical, both accepting and longing. […] Something like a breeze moves the listener, a breeze both invisible and tangible, like the white space between the black printed words of a poem, where all the truth and certainty lie, in convictions which we hold and know but can never fully express.

‘The Road to Lüneburg’

It seems very appropriate that the man who wrote such wonderful music should be celebrated by another individual who not only appreciated the music but found it echoed in the sights, sounds, textures, scents and food of the landscape the musician travelled through — the music of the senses, as it were. and

The last of nine short fictions read for Novellas in November, #NovNov, though the review is only published now. However I also have one or three other novellas in hand to post about in the next couple or so weeks, so I’m not done with them yet!

15 thoughts on “The music of the senses

      1. Having listened to the first programme I have to report no music so far, Gert, except the church bells of Arnstadt. In the book Clare does mention organ preludes and cantatas by name as well as the cello suites (this last, I believe, originally written for lute).


  1. I’ve long appreciated Clare’s writing. This sounds wonderful. It seems that the original programmes are available for download from the slow radio page, link to episode 1 is below. (The others are there too but need seeking out.) I’ve been a fan of slow tv for a while but you’ve alerted me to slow radio, Chris. Something much-needed right now. Thank you!

    Liked by 1 person

    1. Thanks so much for this link, Sandra, we shall find a slot in our day’s schedule to sit down and listen! When recently doing some painting and decorating BBC Sounds (and especially Radio 3 ‘mixtapes’) were invaluable in helping me focus and keep my sanity. 🙂

      Liked by 1 person

    2. Success! This link doesn’t work here but it lead me to discover the BBC Slow Radio podcasts where I can listen to Horatio Clare on Bach’s walk and many other interesting things. Thanks for the slow radio tip.

      Liked by 1 person

    1. I’m so pleased! I regret to say I’ve never visited Germany but this leisurely stroll through parts of Lower Saxony to Schleswig-Holstein was a brief substitute and a slight salve for that gaping absence.


  2. This sounds wonderful; being able to not just enjoy the writing and the pieces it refers to, but also to an extent, the atmosphere that both the writer and subject would have experienced in terms of birdsong, trees and I guess, nature more broadly sounds enviable.

    Reading your review has reminded me of a book that’s been on my TBR for ages, an author’s journey following in the footsteps of Guru Nanak, the founder of Sikhism. I must did it out as soon as I can while also looking out for Horatio Clare

    Liked by 1 person

    1. I have a lot of time for Sikhism, the little I know of it, Mallika, so I’d be interested in what you might have to say about the book on Guru Nanak. I got this Bach book at a talk given by Clare for our local literary festival when he was promoting his latest title about his experience with clinical depression; clearly his many and varied titles about journeys and walks have in part been a physical antidote to episodes when he was depressed.

      Liked by 1 person

  3. Another thank you from me, Chris. I hadn’t encountered Slow Radio but have now subscribed on the Sounds app and will make the most of the Bach Walks when I need to reset my headspace.

    The book sounds a delight, too.

    Liked by 1 person

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