by Christopher Priest,
Gollancz 2017 (2016)
“Home is the sailor, home from the sea”
— from ‘Requiem’ by Robert Louis Stevenson
In many ways a genre-crossing novel, The Gradual exhibits the kind of features I have now come to expect of Christopher Priest’s books, a sense of viewing reality in a distorting mirror — solitary or alienated protagonists — a planetary romance blending aspects of science fiction with the kind of magic we associate with fantasy — allusions and illusions that create dream-like images and sequences.
Above all there is his literary sleight of hand which seems to be part of his trademark style, consisting of a bit of mystification assisted by misdirection. He is kind enough however to reveal to his reader sufficient clues for them to partly work out what’s going on, only to then introduce a plot twist which turns the tables on us.
The Gradual is the testament of one Alesandro Sussken, composer and musician on a world simultaneously similar to but yet completely different from ours. And just as a music composition is an unfolding in time of a sequence of sounds, so Priest’s novel too is about sounds, and time, and even space.