A light in the darkness

Sophia Jansson with Signe Hammarsten (circa 1968 image: Margareta Strömstedt)

Moominvalley in November
written and illustrated by Tove Jansson,
translated by Kingsley Hart.
Puffin 2019 (1971)

Set as autumn is on the turn towards winter in Moominvalley, this last of all the Moomin novels is, as expected, a bittersweet tale of friendship, absence, loss and hope. Six disparate individuals feel a yearning to visit the Moomins in their valley, but when they all get there they find the family gone and the house empty. How do they react when they realise that and how do they get on with each other while they wait for the Moomins’ return?

I loved this for so many reasons — the apparent whimsy hiding psychological insights, the individual quests the characters found themselves on, the autumnal atmosphere beautifully recreated with hints of hibernation and the faint promise of spring, and of course for the delicate line drawings that delight the eye.

While it’s common knowledge that the author wrote this after losing her 88-year-old mother Signe, and that a deep sense of loss pervades the novel, most readers will be intrigued by the interaction between the six characters in search of a meaning for the empty home they visit, and of their reasons for undertaking their quests.

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