Calan Gaeaf

Farmhouse in the Preseli Hills

Jenny Nimmo’s The Snow Spider has been the subject of a conversation the inestimable Nick Swarbrick and I have been having on his blog and here over a number of weeks, and now we’re approaching the end with the final two questions we’ve each set ourselves to answer.

Briefly, the novel concerns young Gwyn Griffiths who has been given five gifts for his ninth birthday, four years to the day when his sister Bethan left their Welsh hill farm and disappeared in a snowstorm. The five objects — a mutilated model of a horse, a piece of seaweed, a musical pipe, a scarf, and a broach — exert an ancient magic when ‘offered’ to the wind, put in train by Gwyn’s innate talent inherited from his legendary ancestor Gwydion.

My intention is to end this series of posts with a review before I tackle the remaining two instalments of Nimmo’s trilogy, but for now we’re both looking at the novel’s Welsh contexts in an attempt to appreciate what makes The Snow Spider different from other fantasies written for children.

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