Diana Wynne Jones:
Stopping for a Spell
Illustrated by Chris Mould
CollinsVoyager 2002 (1993)
I patted the uncomfortable chairs and the poor ugly tables and stroked the piano.
“Chairs,” I said, “stand up for yourselves! He insults you all the time. Tables,” I said, “he said you ought to be burnt! Piano, he told Mum to sell you. Do something, all of you! Furniture of the world, unite!” I made them a very stirring speech, all about the rights of oppressed furniture, and it made me feel much better. Not that it would do any good.
— Candida Robbins, in ‘Who Got Rid of Angus Flint?’
Three ‘magical fantasies’ make up this short story collection: ‘Chair Person’ (1989), ‘The Four Grannies’ (1980) and ‘Who Got Rid of Angus Flint?’ (1975). They all concern unwelcome guests who seemingly can only be persuaded to depart through magic inadvertently conjured up by young protagonists.
At one level these are merely slight tales of humorous mayhem familiar from much children’s literature and from Hollywood films like Honey, I Shrunk the Kids; and yet on another they are rather more what the awful Angus Flint might term ‘profound’.
I propose to mainly consider the profound aspects in this review.