A trio of recent micropoems from sister blog Zenrinji which you may have missed: an alphabetical, quizzical and musical triptych
Alpha et omigosh
Aetiologically, behind church dogma
exist fairytales, glossed historical
in Jewish knowledge: legends,
mythological now our periodic questing
reveals said tales unverified;
voices waxing xenial, yet zigzagging.
and a cat
entered a zoo, flew
through a maze. Exits
blocked, quick as a
Inspired by a recital given by pianist Llyr Williams
The audience is audibly awaiting:
chattering, anticipating, alert.
Now obbligato applause, a white noise,
greets our soloist, striding then still,
biding by keyboard, lid glinting, spotlit.
A waltz by Chopin, a mazurka or two,
insinuate themselves into the silence.
Tinkles and ripples and staccato notes
stipple the auditorium airwaves.
Seconds pass, minutes; a barcarolle beckons us
for an aural tour right round Europe,
through France and Poland and then into Italy.
But now a crescendo glissando, fortissimo:
an impromptu motorbike adding its basso
to the soundscape again and again.
And again. Then diminuendo.
Now, as Greig’s trolls begin their march
a monotone idée fixe intrudes
its extruded ostinato from the street:
the persistent trill of burglar alarm riffing its repetitive roundelay.
Through the Norwegian notturno it rings
and on into rippling brooklet arpeggios
till suddenly conspicuous by absence.
Interval over, Fauré leads us back
to La Serenissima with a barcarolle.
His nocturne’s punctuated by a percussive bark,
subsiding, stifled, as cough-calming,
transcendental Liszt breathes un sospiro,
his sighs and harmonies du soir checking chair creak
and soft yet sonorous snores.
Tumultuous hail-like clatter greets our virtuoso.
He smiles, he acknowledges, he returns
and settles to our final reward:
Schubert’s G flat Impromptu.
You can hear a piano drop to pianissimo;
a few tear drops are shed, and shared.
More poems, micropoems, senryu, haiku, doggerel and flash fiction on Zenrinji