Remember Mount TBR? I’d aimed to read twenty-four of my tsundoku titles — books that I’d bought or otherwise acquired before 2017, not including library books and rereads — to achieve a notional Mont Blanc target.
By the end of June I’d managed twelve — just at my halfway point, so theoretically by September’s end I should have achieved another six to reach eighteen books. So how have I done?
Games, thought Dido, they sure cause a lot of trouble.
— Limbo Lodge, chapter 8
Joan Aiken’s 1999 novel Limbo Lodge was entitled Dangerous Games in the 1998 US edition, and this gives us one clue for a singular way to approach this instalment in the Wolves Chronicles. In the novel Lord Herodsfoot is James III’s roving ambassador on the hunt for new and entertaining games, but as well as the games that get mentions in these pages there is the game that is life-or-death, the winning of which Dido Twite and her companions must clinch. It could be argued that Joan Aiken fashions Limbo Lodge as a board game metaphor, with Aratu as the board and individuals as pieces. Is it possible to justify this?
A temporary post to let regular readers know I shall be offline for a little while — but not to worry! I shall return in due course with, hopefully, further goodies. Like Icarus in Pieter Bruegel’s painting my disappearance will hardly be noticed in the general scheme of things — but, unlike Icarus, I hope to swim back to the land of blogging. The odd post has been scheduled for my absence, but don’t be surprised if you don’t get any immediate feedback to your responses …
There’s too much blame mysterious about this island.
— Dido’s observation in chapter 6
This is another post in the series giving the background to one of Joan Aiken’s Wolves Chronicles, Limbo Lodge. This instalment focuses on the islanders of Aratu, the island that Dido finds so full of mysteries. I can’t help being reminded of some of the issues that are raised in novels like Ursula Le Guin’s The Word for World is Forest and Alison Croggon’s The River and the Book, issues about land exploitation and deforestation and the effects they have on local populations and ways of life. In Limbo Lodge we sense there may be some rapprochement between communities towards the end, a rapprochement that sadly doesn’t seem to be common in our own world.
In Joan Aiken’s Limbo Lodge we meet with a number of individuals who haven’t appeared elsewhere in the Wolves Chronicles. Joan (see, we’re all on first-name terms!) is adept at making these individuals distinctive so that we don’t get too confused as to who’s who on the island of Aratu. Linking it all together is of course Dido Twite, whom we first encountered as an 9-year-old London urchin in Black Hearts in Battersea but who now dresses as a young sailor lad after more than two years at sea.
Here follows a prosopography of the main named characters in the novel, a sort of index raisonné in which I try to account for Joan’s choices for her dramatis personae. Remember, look away now if you don’t want massive plot spoilers revealed!
Nick Yapp: Bluff Your Way in Teaching
Ravette Publishing 1998 (1987)
This fell out of the bookshelves recently where it had somehow got wodged in and unnoticed. I didn’t ignore the irony as I myself had somehow got wodged into school education, only managing to extricate myself many years later by the skin of my teeth (and with my heart in my mouth, just to mix metaphors). I couldn’t finish this when I first came across it for it was much too painful — despite its deliberately humorous take on the state of pedagogy it was too close to the madness that pertained in British teaching at the time, and no doubt still does. Would a revisit bring back the pain?
Joan Aiken’s Limbo Lodge (1998) is one of the most detailed of the Wolves Chronicles to date, certainly in terms of the chronicles’ internal chronology if not their writing history. I have copious notes taken over the years on the characters, on the Aratu language, on board games around the world, on the novel’s timeline and on its literary connections. Here I want to talk about the geography of the fictional island of Aratu, on Joan’s possible inspirations for it and why she may have set her story in this part of the southern Pacific.