“Who’s the daddy?” is a Cockney phrase used to imply the dominance of the speaker — to which the statement “You’re not the boss of me now” could be seen as an optimistic rejoinder — but, too often, the daddy turns out to be a bad ‘un. The big bad boss figure — the bully boy or the strong-arm man, sometimes a threatening witch-like figure — is a powerful archetype which, reflecting real life, often appears in literature, from children’s tales to classical legends. The ‘baddie’ reaches their apotheosis in fantasy literature, where no end of baddies are the mainstay of the conflict that drives the plot along until, for the most part, they are defeated. Indeed, ‘Overcoming the Monster’ is claimed as one of the seven basic plots* that all narratives rest on.
I’ve been more than aware of these baddies in recent reading and so would like to explore this theme a little bit, though this post won’t be more than a very superficial skimming over of a deep ocean of antecedents, analogues, varieties and meanings.