The Wolves of Willoughby Chase is set in the early 1830s, the period between the novels of Jane Austen and those of Dickens and the Brontës. The names of her principal and supporting characters haven’t yet reached the baroque proportions that they were later to, but already we have inklings of character-full epithets amongst the more genteel Austenesque names like Willoughby (from Sense and Sensibility) and Green (from Emma). What are we to make of Mrs Shubunkin, its Japanese origin lurking behind a name straight from the pages of a Dickens’ novel? Or Mr Grimshaw, surely grim by nature as well as by name? Mrs Brisket who takes her name from a cut of meat? And of course Letitia Slighcarp, who is both sly and apt to carp at her poor charges?
The avid reader can have fun with the remaining names, with their lively mix of Biblical forenames, funny-sounding old English terms and inappropriate or incongruous sobriquets. A few of the personages reappear in the sequels — most touchingly in the last title of all, The Witch of Clatteringshaws — but for the moment we may rejoice in the feeling that here is created a whole world of individuals identified by name, many with significant parts to play and identifiable characters to match.