Here I was promising a companion piece or two to my review of The Wolves of Willoughby Chase, and yet I’ve gone and entitled this post “Dido Twite’s World” when Dido doesn’t even appear in the first title of the sequence! What’s going on?!
Well, there’s no real agreement what to call this series of loosely-related books. They’re often called The Wolves Chronicles, but wolves don’t always appear — in fact I can at this moment only recall two or three of the books making reference to them. Occasionally, inspired by the introduction to Wolves, reference is made to ‘the James III sequence’, perhaps in the same way that we often refer to our own 19th-century as ‘Victorian’ even though that monarch ruled only for a little over sixty years of it, and despite it sometimes being applied to countries outside the British Empire.
Now I shall be calling this sequence the Dido Twite series as much as I talk about the Wolves Chronicles, simply because Dido appears in at least eight out of the twelve novels officially in the canon — thirteen if you include Midnight is a Place, but that’s another discussion! There’s another reason for me to think of it in this way: because, you see, I have a theory that Dido became a sort of alter ego for the author. Joan Aiken was born in 1924 and, I surmise from a bit of teasing out of details, Dido Twite was born a hundred years before, in 1824. But I anticipate myself, Continue reading “Dido Twite’s World”