Joan Aiken really was an extraordinary author, one whose work I’m still exploring but for whom I have the greatest of respect as well as fondness. She had a gift for composing in different genres and for different audiences, displaying now a sense of poignancy, now a touch of mischief, by turns sprinkling magic dust or holding a mirror up to human nature. And she accomplished all this with no hint of the grandeur or hauteur often associated with the archetypal Great Writer.
Though she frequently wrote for adults Joan remains best known as a children’s author, especially for The Wolves of Willoughby Chase and its sequels. I’ve promised myself a reread of all twelve titles but I’ve been an ardent fan for some years now, making copious notes, some of which I’ve already included on this blog.
Attached are some draft notes on common motifs I’ve noticed in the series; they’re not complete, and I know there must be mistakes, but you can see where I’m heading with this. Joan will have been familiar with international folktale types and motifs, but I’ve not consciously followed these; instead, I’ve just listed some of the more obvious patterns Joan seemed to reiterate in most of the books. Now I know that throwing motifs together is not a substitute for good storytelling, rather a way of structuring the narrative to conform to audience expectations; used clumsily it too often smacks of cliché and lazy authorial habits. Nevertheless, when employed in conjunction with wit and imagination and peopled with characters you can really care about (like the near ubiquitous Dido Twite) a solid framework of motifs can only help a story’s architecture to withstand all the withering attention that the critic will condescend to heap on it.
Whether you’ve read any — or indeed none — of the Wolves Chronicles (also called the James III sequence) you might still enjoy seeing how the idées fixes I’ve identified permeating the series are echoed in other literature, from myths and legends through fairytales and classics to modern novels and films.
WARNING: by nature most of these entries constitute spoilers. If you don’t want your future enjoyment ruined by having denouements revealed and villains unmasked please look away now.
Continue reading “Dido Twite and the idée fixe”