Rough magic

Waterhouse's 1916 portrait of Miranda watching the shipwreck
J W Waterhouse’s 1916 portrait of Miranda watching the shipwreck in The Tempest

D G James The Dream of Prospero Oxford University Press 1967

… We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.

The Tempest, along with A Midsummer Night’s Dream, seems to me to be among the most magical of Will’s comedies, with illusion, love, conflict and happy endings all genially conspiring to entertain us. Generally assumed to be the last play Shakespeare composed for the stage, completed in 1611, it’s ironically also the first play contained in the posthumously published First Folio of 1623. Meanwhile, D G James’ The Dream of Prospero is an expanded version of the author’s Lord Northcliffe Lectures of 1965 in which he sought to extend his reflections on Shakespeare’s great tragedies to musings on the last plays and, specifically, The Tempest. Bacon’s description of poetry as “a dream of learning” had provided the title to an earlier published discourse, and James followed this conceit here, appropriately given Prospero’s celebrated speech from Act IV. But how much of The Tempest is a dream-like fantasy, how much based on real life?

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