Neil Gaiman Neverwhere:
The Author’s Preferred Text
Headline Review 2005 (1996)
In fairytales the overlooked, usually youngest son or daughter in a family commits an act of kindness that allows him or her to succeed where the other brothers or sisters didn’t. Sometimes the act of kindness is misplaced, as in the Arabian Nights tale of the genie in the bottle, and potential disaster follows. In this fantasy Scotsman Richard Mayhew comes to London and rescues a young woman from her pursuers, as a result of which his life is changed forever. He passes into London Below, supposedly the bourn from which no traveller returns. This is an Otherworld — at times a Dante-esque Inferno, other times reminiscent of Tudor or Restoration London — which has successfully reappeared in various modern guises, in Michael Moorcock’s Gloriana (1978) for example, Andrew Sinclair’s Gog (1967) and more recently in Miéville’s fantasies such as Kraken (2010).
Neverwhere‘s strengths largely lie in those fairytale motifs that much good fantasy draws from: Continue reading “The bourn from which no traveller returns”