Charles Dickens A Tale of Two Cities
Collins Classics 2010 (1859)
History repeats itself, and too often repeats itself in terrible ways. The downtrodden masses of 18th-century France had genuine grievances but when the inevitable reaction came moderation soon gave way to the Reign of Terror between September 1793 and July 1794. So it also was in 20th-century Russia and later in China, and recent years have seen too many other risings with hopes for natural justice being perverted by cruelty, bloody mayhem and corruption.
Dickens’ early years just overlapped the close of the Napoleonic Wars: he was born in the year of the failed French invasion of Russia, commemorated by Tchaikovsky’s 1812 Overture. The French Revolution had begun not even a quarter of a century before and so its events were not at all dry-as-dust history for Dickens and his generation, but he does acknowledge a debt to Thomas Carlyle’s “wonderful book” detailing this turbulent period when preparing for his novel, published seventy years after the start of the conflagration. Dickens 1859 preface also tells us that
“A strong desire was upon me then to embody [the main idea of this story] in my own person … Throughout its execution, it has had complete possession of me; I have so far verified what is done and suffered in these pages, as I have certainly done and suffered it all myself.”
This rather veiled personal admission also furnishes further clues on what motivated Dickens to write this novel, clues which, thanks to the sands of time and Claire Tomalin’s 1991 study The Invisible Woman: The Story of Nelly Ternan and Charles Dickens (now a feature film also called The Invisible Woman) we are better able to unravel from the text. Continue reading “A complete possession”